her while still carrying Maggie. They veered into Maggie’s room to repeat the process.
Slam.
Lock.
Pack.
I paced the hallway, wondering what to do. The answer hit me when Jess finally left Maggie’s room with another, smaller suitcase.
Nothing.
Let them leave. Let Jess take Maggie as far away from Baneberry Hall as possible. It didn’t matter that she was angry with me and might be for a very long time. Maybe forever. What mattered was that Maggie wouldn’t be inside these walls.
“Just tell me where you’re going,” I said as I followed them down the stairs.
“No,” Jess said with a ferocity I didn’t think was possible.
I caught up to them at the bottom of the steps and pushed in front of Jess, briefly halting their escape.
“Look at me, Jess.” I stood before her, hoping she still recognized the real me. Hoping that some small traces of that man remained. “I would never intentionally hurt our daughter. You know that.”
Jess, who’d been keeping up a brave face for Maggie’s sake, let it crumble. “I don’t know anything anymore.”
“Know that I love you. And I love Maggie. And I’m going to fix this while you’re gone. I promise. This house won’t hurt Maggie anymore.”
Jess looked into my eyes, a thousand emotions shifting across her face. I glimpsed sadness and fear and confusion.
“It’s not the house I’m afraid of,” she said.
She stepped around me, weighed down with our daughter and two suitcases. All three were placed on the floor just long enough for her to open the front door. Jess picked up her suitcase. Maggie lifted hers. Then together the two of them, still in their nightclothes, left Baneberry Hall.
I watched their departure from the vestibule, not blinking as the car vanished from view. Under any other circumstances, I would have been devastated. My wife and child had left me. I didn’t know where they were going. I didn’t know when they’d return. Yet I felt nothing but relief after they were gone. It meant Maggie was far from Baneberry Hall.
It wasn’t safe there. Not for her.
And it would never be safe with the spirit of William Garson still present. Although I knew I needed to rid him from the place, I had no idea how. In fact, there was only one person I could turn to for advice.
And he wasn’t even alive.
Without any other options, I made my way to the kitchen and sat facing the bells on the wall.
Then I waited.
Twenty-One
In my line of work, I’ve crossed paths with plenty of landscapers. Some are true artists, crafting elaborate groundscapes with attention paid to color, shape, and texture. Others are basic laborers, trained only to yank weeds and shovel mulch. But all of them have told me the same thing: plant ivy at your own peril. Gone unchecked, it spreads and climbs and persists more than any other vine.
The ivy behind Baneberry Hall has done all three for decades. It’s thick—jungle thick—and scales the back of the house in a verdant swath that climbs past the second-floor windows. If there is a door back there, the ivy hides it completely.
At first, I try swiping at some vines, hoping they’ll fall away from the wall. If only it were that easy. When that doesn’t work, I shove my hands into the thick of it and blindly feel around, my fingers brushing nothing but exterior wall.
But then I feel it.
Wood.
I do more tugging and brushing until a door begins to take shape deep within the vines. Short and narrow, it’s less a door and more like a flat board where a proper door should be located. There’s not even a handle—just a rusted bolt that I slide to the side.
The door cracks open, and I give it a pull, widening it until there’s a gap big enough for me to fit through. Then, like a diver about to submerge, I take a deep breath and push through the curtain of ivy.
Once inside, I can barely see. There’s no overhead light that I can find, and the ivy outside allows only dapples of moonlight to pass through. Luckily, I anticipated this and came prepared with a flashlight.
I switch it on and am greeted by a brick wall slick with moisture. A millipede scurries across it, fleeing the light. To my left is more wall. To my right is inky darkness that stretches beyond the flashlight’s glow. I move through it, arriving shortly at a set of wooden steps.