Furnished in elaborate velvets, silks, and brocades, it’s a riot of scarlet and deep blues and greens, everything rich and dark, like overripe fruit. The patterns on the material are the sorts of things I have become accustomed to—intricate braids of briars, leaves that might also be spiders when you looked at them from another angle, and a depiction of a hunt where it is unclear which of the creatures is hunting the other.
I sigh and sit down in the chair he is pointing me toward, fumbling in my pocket.
“Here,” I say, drawing out the folded-up note and smoothing it against the top of a cunning little table with carved bird feet for legs. “He came in while I was copying it, so it’s kind of a mess.” I had left the stolen book with the toad; the last thing I want Prince Dain to know is that I took something for myself.
Dain squints to see the shapes of the letters past my smudges. “And he didn’t see you?”
“He was distracted,” I say truthfully. “I hid.”
He nods and rings a small bell, probably to summon a servant. I will be glad of anyone not ensorcelled. “Good. And did you enjoy it?”
I am not sure what to make of that question. I was frightened pretty much the whole time—how is that enjoyable? But the longer I think about it, the more I realize that I did sort of enjoy it. Most of my life is dreadful anticipation, a waiting for the other shoe to drop—at home, in classes, with the Court. Being afraid I would be caught spying was an entirely new sensation, one where I felt, at least, as though I knew exactly what to be scared of. I knew what it would take to win. Sneaking through Balekin’s house had been less frightening than some revels.
At least until I’d watched Cardan get beaten. Then I’d felt something I don’t want to examine too closely.
“I liked doing a good job,” I say, finally finding an honest answer.
That makes Dain nod. He’s about to tell me something else when another faerie enters the room. A male goblin, scarred, his skin the green of ponds. His nose is long and twists fully around, before bending back toward his face like a scythe. His hair is a black tuft at the very crown of his head. His eyes are unreadable. He blinks several times, as though trying to focus on me.
“They call me the Roach,” he says, his voice melodious, completely at odds with his face. He bows and then cocks the side of his head toward Dain. “At his service. I guess we both are. You’re the new girl, right?”
I nod. “Am I supposed to tell you my name, or am I supposed to come up with something clever?”
The Roach grins, which twists his whole face up even more hideously. “I am supposed to take you to meet the troupe. And don’t worry about what we’re going to call you. We decide that for ourselves. You think anyone in their right mind would want to be called the Roach?”
“Great,” I say, and sigh.
He gives me a long look. “Yeah, I can see how that’s a real talent. Not having to say what you mean.”
He’s dressed in an imitation of a court doublet, except his doublet is made from scraps of leather. I wonder what Madoc would say if he knew where I was and with whom. I do not think he would be pleased.
I don’t think he’d be pleased by anything I did today. Soldiers have a peculiar kind of honor, even those who dip their caps in the blood of their enemies. Sneaking around houses and stealing papers is not at all in line with it. Even though Madoc has spies of his own, I don’t think he’d like my being one.
“So he’s been blackmailing Queen Orlagh,” Dain says, and the Roach and I look over at him.
Prince Dain is frowning over the letter, and suddenly I understand—he recognizes my copy of the handwriting. Nicasia’s mother, Queen Orlagh, must be the woman who obtained poison for Balekin. She wrote that she was repaying a debt, although knowing Nicasia, I would guess a little nastiness wouldn’t give her mother much pause. But the Queen of the Undersea’s kingdom is vast and mighty. It is hard to imagine what Balekin could have over her.
Dain hands my letter to the Roach. “So do you still believe he will use it before the coronation?”