In A Holidaze - Christina Lauren Page 0,82
and tissue paper holly, singing Christmas carols in Muppet voice, and making the twins giggle hysterically.
But this time, the kitchen is quiet. Presents are unwrapped and the discarded paper has been stuffed into the recycling bin. There’s no garland on display, no tiny scissors on the table or paper scraps littering the floor. We’ll eat leftovers in about an hour, but for now everyone is using the downtime to nap, read, or sip a cocktail by the fireplace, savoring the last of our time together. Except for me: in Benny’s attic, I get to work.
And then, with my heart in my throat, I take the package Mom helped me complete, and tromp through the fresh snow out to Andrew’s little Fortress of Solitude.
He doesn’t answer when I knock, so I stand uselessly outside for about two minutes—debating with myself what to do, panicking because he’s ignoring me, letting my hysteria rise to a boiling point—before figuring out that maybe I just need to knock louder.
“Come in,” he calls this time. “It’s open.”
I push open the door and step inside.
Andrew’s duffel bag is packed, and the sleeping bags are rolled up and leaning against the far wall. He sits on the bare cot, one leg bent and tucked beneath the other, strumming his guitar.
I’d planned to start with my little prepared speech, but the view of his packed bag throws me. I’m not sure he was even planning to say goodbye. “You’re driving back to Denver tonight?”
“I am, yeah.” He looks up and tries to smile. Even with all the strain between us he doesn’t have it in him to be unkind. “After dinner.”
I flounder, unable to think of a suitable follow-up. “Did you hear about Benny and the cabin?” I inwardly wince, remembering what he said about my savior complex with this place.
“Dad mentioned it to me late last night.” His voice is uncharacteristically quiet. “Good news.”
“Yeah.” I’m sinking in quicksand; I have no idea where to go from here.
“I brought you a present,” I say, and he frowns in surprise, watching me cross the room.
“Mae, you don’t have to give me anything.”
“It’s not a Christmas gift,” I explain, and decide to push onward into my prepared speech. “Look, Andrew, I know you’re mad at m—”
“I’m not mad at you,” he says gently. “I’m mad at myself.” He shakes his head, strumming absently as he thinks. “I don’t usually dive into things so immediately, and I’ve just confirmed for myself why.”
I can’t help asking, “Why?”
He looks at me, eyes pained like he knows what he’s going to say is going to hurt. “Because I can spend my whole life getting to know someone and still be wrong about her.”
Wow. That one hits like a punch. But he’s wrong: we’ve spent our lives getting to know each other, sure, but I was more myself with him than I’d ever been before.
“You weren’t wrong about me.” I take another step into the room but stop with about ten feet between us. “I mean, maybe we hit a speed bump right out of the gate, but you weren’t wrong about me. And it was good, Andrew. If it hadn’t been so good, you wouldn’t be so upset right now.”
He holds my gaze for another long moment, and then blinks down, returning to his quiet strumming.
“A few years ago,” I say, “I asked my mom what it was like when she first met my dad, and she basically said that they met in their dorm, and started dating, and from that point on, just fell into this routine of being together.”
He doesn’t reply, but he’s listening, I know. Even though he’s playing his guitar, he’s completely here with me.
“I asked her, ‘You just knew?’ and instead of explaining how it felt like fate or anything remotely romantic, she said, ‘I guess? He was nice and was the first person who encouraged me to paint.’ I know they’re divorced and it’s probably different to look back on it now, but she was talking to me— the product of this marriage—and there was no mention of falling in love or how she couldn’t imagine herself with anyone else. They just happened.”
I wait for him to react to this, but he doesn’t. In the silence, the words to the song he’s absently playing hit me like a warm burst of air.
Don’t know much about history . . .
And if this one could be with you . . .
His movements are so absentminded, I can’t tell if he