Hex and the City by Simon R. Green

power, but pull the strings of those who do. The men behind the scenes, who will do or authorise anything at all, to maintain the status quo that has always benefited them. And I work for them because all the other alternatives are worse. I have investigated other options, down the years, but most people just didn't want to know. The thought of so much responsibility scared the shit out of them. And the few who were interested turned out to want it for all the wrong reasons. So I turned them in to the Authorities. I'm in charge, inasmuch as anyone is, because I alone have no interest in the temptations and seductions of the Nightside. I know better. I know this place for what it really is."

"And what is that?" said Pretty Poison.

"A freak show. A city of ill repute. All of Humanity's bad ideas in one place. Which is why the Authorities are the best people to run it. Because they only care about the money it brings them. They might play here, on occasion, indulge passions that would not be allowed in the world outside, but at the end of the day they all go home and leave the Nightside behind them. Just like me."

"And you don't play at all. The only honest man in the Nightside. Or at least, the only moral man. And ... perhaps the most scared. Why are you so afraid of the Nightside, Henry?"

Walker did her the courtesy of considering the question for a moment. "Because ... there's always the chance that someday all the evils and temptations and corruption will break through the Nightside's boundaries and rush out to seduce the whole world."

"Would that really be such a bad thing?" said Pretty Poison. "If everyone knew the truth about how things really operate? If they could all finally see the big picture? If they could see and talk with Powers and Dominations, the Beings and Forces that move behind the scenes of the world ... if they knew the score, it might change things for the better."

"No," said Walker. "Things are bad enough in the seemingly sane, cause and-effect world. If all the fanatics and terrorists, or even the simply ambitious and well-meaning, knew what their options really were, they'd tear the world apart fighting over it."

"You weren't always like this," said Pretty Poison. "So . .. cynical."

And as she and Walker continued to talk in the Willow Tree tea room, she worked a change in the vision the rest of us were watching, to show us the Past.

Information came subtly to us, along with the new sights, seeping painlessly into our thoughts. We all knew at once that the year was 1967, and that the three young men walking down the Nightside street together, talking and laughing and shoving at each other in sheer good spirits, were Henry Walker and Charles Taylor and Mark Robinson. I recognised Walker first, because his face hadn't changed that much, but his clothes actually startled me. It seemed that back in his younger days, Henry Walker had been a hell of a dandy and a dedicated follower of fashion. He strode along like a slender peacock, outfitted in dazzlingly bright colours, the best the King's Road had to offer, complete with narrow oblong sunglasses and a great mane of wavy dark hair. He looked like a young god, too perfect for this material world.

Mark Robinson, who would one day know both fame and infamy as the Collector, was also easy to spot, if only because he was clearly an Elvis fanatic even then. He had that whole young Elvis thing down pat, even to the greasy black quiff and the practised curl of the upper lip. His black leather jacket had far too many zips and chains, and rattled loudly as he walked. He was never still, packed full of nervous energy, and was always that little bit ahead or behind the other two, talking sixteen to the dozen and bouncing up and down on his feet. His laughter came free and easy, from sheer joi de vivre. He had plans and ambitions, and thought he had his whole future mapped out.

It took me rather longer to recognise Charles Taylor. My father. I had no photos of him. He threw everything out, or burned it, after my mother left. In the vision, he was younger than I was, and he didn't look much like me. He didn't look at all like I expected.

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