and a Nigra together unchaperoned,” Mother’d whispered to me, a long time ago. “It’s not their fault, they just can’t help it.”
I head down the steps to see if my mail-order copy of Catcher in the Rye is in the box. I always order the banned books from a black market dealer in California, figuring if the State of Mississippi banned them, they must be good. By the time I reach the end of the drive, my huaraches and ankles are covered with fine yellow dust.
On either side of me, the cotton fields are a glaring green, fat with bolls. Daddy lost the back fields to the rain last month, but the majority bloomed unharmed. The leaves are just starting to spot brown with defoliant and I can still smell the sour chemical in the air. There are no cars on the County Road. I open the mailbox.
And there, underneath Mother’s Ladies’ Home Journal, is a letter addressed to Miss Eugenia Phelan. The red raised font in the corner says Harper & Row, Publishers. I tear it open right there in the lane, in nothing but my long nightgown and Daddy’s old Brooks Brothers shirt.
September 4, 1962
Dear Miss Phelan,
I am responding personally to your résumé because I found it admirable that a young lady with absolutely no work experience would apply for an editing job at a publisher as prestigious as ours. A minimum of five years in the business is mandatory for such a job. You’d know this if you’d done any amount of research on the business.
Having once been an ambitious young lady myself, however, I’ve decided to offer you some advice: go to your local newspaper and get an entry-level job. You included in your letter that you “immensely enjoy writing.” When you’re not making mimeographs or fixing your boss’s coffee, look around, investigate, and write. Don’t waste your time on the obvious things. Write about what disturbs you, particularly if it bothers no one else.
Yours sincerely,
Elaine Stein, Senior Editor, Adult Book Division
Below the pica type is a handwritten note, in a choppy blue scrawl:
P.S. If you are truly serious, I’d be willing to look over your best ideas and give my opinion. I offer this for no better reason, Miss Phelan, than someone once did it for me.
A truck full of cotton rumbles by on the County Road. The Negro in the passenger side leans out and stares. I’ve forgotten I am a white girl in a thin nightgown. I have just received correspondence, maybe even encouragement, from New York City and I say the name aloud: “Elaine Stein.” I’ve never met a Jewish person.
I race back up the lane, trying to keep the letter from flapping in my hand. I don’t want it wrinkled. I dash up the stairs with Mother hollering to take off those tacky Mexican man shoes, and I get to work writing down every goddamn thing that bothers me in life, particularly those that do not seem to faze anyone else. Elaine Stein’s words are running hot silver through my veins and I type as fast as I can. Turns out, it is a spectacularly long list.
By the next day, I am ready to mail my first letter to Elaine Stein, listing the ideas I thought worthy journalism material: the prevalence of illiteracy in Mississippi; the high number of drunk-driving accidents in our county; the limited job opportunities for women.
It’s not until after I mail the letter that I realize I probably chose those ideas she would think impressive, rather than ones I was really interested in.
I TAKE a DEEP BREATH and pull open the heavy glass door. A feminine little bell tinkles hello. A not-so-feminine receptionist watches me. She is enormous and looks uncomfortable in the small wooden chair. “Welcome to the Jackson Journal. Can I help you?”
I had made my appointment day before yesterday, hardly an hour after I’d received Elaine Stein’s letter. I asked for an interview for any position they might have. I was surprised they said they’d see me so soon.
“I’m here to see Mister Golden, please.”
The receptionist waddles to the back in her tented dress. I try and calm my shaking hands. I peek through the open door to a small, wood-paneled room in the back. Inside, four men in suits bang away on typewriters and scratch with pencils. They are bent over, haggard, three with just a horseshoe of hair left. The room is gauzy with cigarette smoke.