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himself and get on about his business.

At sundown, he sat on the floor, leaned back against the wooden side wall of the cell, and closed his eyes. He sent out his doodlebug along a familiar path, until he found the dual heartfire of his wife and the unborn daughter that dwelt within her. She was already heading for her writing table, aware through long custom that because Alvin was farther east, sundown came earlier to him. She was always as impatient as he was.

This time there was no interruption from visitors. She commiserated with him about the chains and the cell, but soon got to the matter that concerned her most.

"Calvin's doodlebug has been stolen," she said. "He had sent it forth to follow the man who collects the names and some part of the souls of Blacks arriving at the dock." She told him of Calvin's last words to Balzac before all his will seemed to depart from his body. "First, I must know how much of his soul remains with his body. It is different from the slaves, for he seems to hear nothing and has to be led. His bodily functions also are like an infant's, and Balzac and their landlord are equally disgusted at the result, though the slaves clean him without complaint. Is this reversible? Can we communicate with him to learn his whereabouts? I have searched this city all the way up the peninsula, and find no collection of heartfires and no sign of Calvin's. It has been hidden from me; I pray it is not hidden from you."

Alvin had no need to write or even formulate his answers. He knew that she could find all his ideas in his heartfire moments after he thought of them and they fell into his memory. The kidnapped doodlebug - Alvin had never worried about that. His fears had always been that something awful might happen to his body while he wandered. But in his experience, his body remained alive and alert, and whenever anything in his environment changed - his eyes detecting movement, his ears hearing some unexpected sound - his attention would be drawn back into his body.

His attention, and therefore his doodlebug. That's what the doodlebug was, really - his full attention. That's what was missing from Calvin. Even when things happened around his body, happened to his body, he could not bring his attention back to it. His body was no doubt sending him frantic signals demanding his attention.

The slaves, on the other hand, couldn't possibly have surrendered their attention to the man named Denmark. What they gave up was their passion, their resentment, their will to freedom. And their names.

That was an important conclusion: There was no reason to think that this Denmark fellow had Calvin's name. In fact, what he probably had was a net of hexwork that contained the free portion of separated souls. He might not even be aware that Calvin's doodlebug had got inside. The hexes caught him automatically, like the workings of an engine. The hexwork also served to hide the soulstuff that it contained. Calvin could not see out, and could not be seen inside.

But the hexes could be seen. Margaret could not possibly find them, since she saw only heartfires, and if a man knew how to hide heartfires from her, he could certainly hide his own heartfire so she could not discover the man who knew the secret.

"Is he hiding from me?" she wrote.

He doesn't know you exist. He's hiding from everybody.

"How could Calvin be captured, when he didn't make the little knotted things the slaves made?"

I don't know the workings of Black powers, but my guess is that each slave put his own name and all his fears and hatred into the knotwork. They needed the knots in order to lift this part of their souls out of their bodies. Calvin needed no such tool.

"They had to do a Making?" she wrote.

Yes, he thought, that's what it was. A Making. Whether it was the power of Whites or Reds or Blacks, that's what it came down to: connecting yourself to the world around you by Making. Reds made the connection directly - that connection was their Making, the link they forged between man and animal, man and plant, man and stone. Blacks made artifacts whose only purpose was power - poppets and knotted strings. Whites, however, spent their lives making tools that hammered, cut, tore at nature