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the wide and well-polished silver bracelet.

In a moment the victim would pass through the throng coming off the old bridge. Just as he came out of the crowd onto the Via de' Bardi, Romula would meet him, do her business and slip into the stream of tourists crossing the bridge.

In the crowd, Romula had a friend she could depend on. She knew nothing of the victim and she did not trust the policeman to protect her. Giles Prevert, known on some police dossiers as Giles Dumain, or Roger LeDuc, but locally known as Gnocco, waited in the crowd at the south end of the Ponte Vecchio for Romula to make the dip. Gnocco was diminished by his habits and his face beginning to show the skull beneath, but he was still wiry and strong and well able to help Romula if the dip went sour.

In clerk's clothing, he was able to blend with the crowd, popping up from time to time as though the crowd were a prairie dog town. If the intended victim seized Romula and held her, Gnocco could trip, fall all over the victim and remain entangled with him, apologizing profusely until she was well away. He had done it before.

Pazzi passed her, stopped in a line of customers at a juice bar, where he could see.

Romula came out of the doorway. She judged with a practiced eye the sidewalk traffic between her and the slender figure coming toward her. She could move wonderfully well through a crowd with the baby in front of her, supported in her false arm of wood and canvas. All right. As usual she would kiss the fingers of her visible hand and reach for his face to put the kiss there. With her free hand, she would fumble at his ribs near his wallet until he caught her wrist. Then she would pull away from him.

Pazzi had promised that this man could not afford to hold her for the police, that he would want to get away from her. In all her attempts to pick a pocket, no one had ever offered violence to a woman holding a baby. The victim often thought it was someone else beside him fumbling in his jacket. Romula herself had denounced several innocent bystanders as pickpockets to avoid being caught.

Romula moved with the crowd on the sidewalk, freed her concealed arm, but kept it under the false arm cradling the baby. She could see the mark coming through the field of bobbing heads, ten meters and closing.

Madonna! Dr Fell was veering off in the thick of the crowd, going with the stream of tourists over the Ponte Vecchio. He was not going home. She pressed into the crowd, but could not get to him. Gnocco's face, still ahead of the doctor, looking to her, questioning. She shook her head and Gnocco let him pass. It would do no good if Gnocco picked his pocket.

Pazzi snarling beside her as though it were her fault. "Go to the apartment. I'll call you. You have the taxi pass for the old town? Go. Go!"

Pazzi retrieved his motorbike and pushed it across the Ponte Vecchio, over the Arno opaque as jade. He thought he had lost the doctor, but there he was, on.the other side of the river under the arcade beside the Lungarno, peering for a moment over a sketch artist's shoulder, moving on with quick light strides. Pazzi guessed Dr Fell was going to the Church of Santa Croce, and followed at a distance through the hellish traffic.

Chapter 26

THE CHURCH of Santa Croce, seat of the Franciscans, its vast interior ringing with eight languages as the hordes of tourists shuffle through, following the bright umbrellas of their guides, fumbling for two-hundred lire pieces in the gloom so they can pay to light, for a precious minute in their lives, the great frescoes in the chapels.

Romula came in from the bright morning and had to pause near the tomb of Michelangelo while her dazzled eyes adjusted. When she could see that she was standing on a grave in the floor, she whispered, "Mi displace!" and moved quickly off the slab; to Romula the throng of dead beneath the floor was as real as the people above it, and perhaps more influential. She was daughter and granddaughter of spirit readers and palmists, and she saw the people above the floor, and the people below, as two crowds with the mortal pane between. The ones below, being smarter and older,

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