off into a dirt road. The bush was as high as the car and the villages they passed were more crowded than on the asphalt road. The dirt road was red and dry but there were old puddles that splashed spots of black mud on the windscreen. They left this road and began to climb a noticeable slope towards the house. The road here was corrugated when straight; where it turned it was trenched by the rains, water making its own way down. The house was in the middle of an overgrown old garden and in the shade of a great, branching rain tree. Bougainvillaea screened the verandah which ran on three sides of the lower floor.
The air was hot and stale inside. Looking out from the bedroom window, through wire netting and dead insects, at the rough garden and the tall paw-paw trees and the land falling away past groves of cashews and clusters of grass roofs to the rock cones which in the distance appeared to make a continuous low pale-blue range, Willie thought, “I don't know where I am. I don't think I can pick my way back. I don't ever want this view to become familiar. I must not unpack. I must never behave as though I am staying.”
He stayed for eighteen years.
He slipped one day on the front steps of the estate house. Ana's white grandfather, who at one time went every year to Lisbon and Paris—that was the story—had built the house in the early days of money, after the 1914 war, and the front steps were semi-circular and of imported white-and-grey marble. The marble was now cracked, mossy in the cracks, and on this rainy morning slippery with the wet and the pollen from the big shade tree.
Willie woke up in the military hospital in the town. He was among wounded black soldiers with shining faces and tired red eyes. When Ana came to see him he said, “I am going to leave you.”
She said, in the voice that had enchanted him, and which he still liked, “You've had a nasty fall. I've told that new girl so often to sweep the steps. That marble has always been slippery. Especially after rain. Foolish, really, for a place like this.”
“I am going to leave you.”
“You slipped, Willie. You were unconscious for some time. People exaggerate the fighting in the bush. You know that. There's not going to be a new war.”
“I'm not thinking of the fighting. The world is full of slippery substances.”
She said, “I'll come back later.”
When she came back, he said, “Do you think that it would be possible for someone to look at all my bruises and cuts and work out what had happened to me? Work out what I have done to myself?”
“You're recovering your spirits.”
“You've had eighteen years of me.”
“You really mean that you are tired of me.”
“I mean I've given you eighteen years. I can't give you any more. I can't live your life any more. I want to live my own.”
“It was your idea, Willie. And if you leave, where will you go?”
“I don't know. But I must stop living your life here.”
When she left he called the mulatto matron and, very slowly, spelling out the English words, he dictated a letter to Sarojini. For years, for just such a situation, he had always memorised Sarojini's address—in Colombia, Jamaica, Bolivia, Peru, Argentina, Jordan, and half a dozen other countries—and now, even more slowly, for he was uncertain himself about the German words—he dictated an address in West Berlin to the matron. He gave her one of the old English five-pound notes Ana had brought for him, and later that day the matron took the letter and the money to the almost stripped shop of an Indian merchant, one of the few merchants left in the town. There was no proper postal service since the Portuguese had left and the guerrillas had taken over. But this merchant, who had contacts all along the eastern African coast, could get things onto local sailing craft going north, to Dar-es-Salaam and Mombasa. There the letters could be stamped and sent on.
The letter, awkwardly addressed, passed from hand to hand in Africa, and then awkwardly stamped, came one day in a small red mail-cart to its destination in Charlottenburg. And six weeks later Willie himself was there. Old snow lay on the pavements, with paths of yellow sand and salt in the middle, and scatterings of dog dirt on the snow. Sarojini