were a perfectly lambent grey: unflecked, unmurked, even and clear. He had the eyes of a very beautiful person, trapped in resting bitch face.
Gideon hauled again at the hatch, as though offering up the universe’s most useless act might endear her to the physics of a locked door. His sigh grew sadder and more explosive as he watched her. “You’re winners, you and Nonagesimus both. Hang on—Cam, do a perimeter, please—Ninth, listen. It’s well above freezing down there. That means blood stays wet for an hour, let’s say an hour and a half. Hers hadn’t skeletonised altogether. You with me? She might have spilt it deliberately—although, she’s an osseo, she’s not going to do blood ritual on herself—right, you’re not even pretending to pay attention.”
Gideon had stopped paying attention somewhere around wet and was now bracing both feet to pull: she was pressing down the frame with a foot, distantly taking in every fifth word. Blood. Skeletonised. Osseo. The necro called out, “Camilla, any sign she left while—”
Camilla was on the stairs.
“No, Warden.”
He said to Gideon, gruffly: “Odds are she’s still down there.”
“Then get off your ass and help me,” said Gideon Nav.
This did not surprise or alarm him. In fact, his tightly-wound shoulders relaxed a fraction from black-hole stress fracture to pressure at the bottom of the ocean. He sounded almost relieved when he said, “Sure.”
A jangling object sailed through the air, visible more as sound and movement than as thing. The necromancer failed to catch it: it banged him hard on his long, scrabbling hands. Gideon recognised it as the iron loop that she had been given on the very first day in Canaan House. As he squatted beside her, smelling like dust and mould, she could see that a long key had been put through the loop and was clanking there untidily. There was another, smaller key dangling off to one side, gleaming golden, with an elaborately carved shank and deep pockmarks instead of cuts in the shaft. A key ring? They’d all been given key rings?
Inserted into the keyhole, the first key opened the trap door with a low, hard snap, and together the boy and Gideon threw it open. It revealed a ladder of metal staples down a long, unbelievably dark hole: light shaded in at the bottom, throwing into relief the fact that one slip meant a broken neck along with your broken ass-bones.
A pointing finger appeared in front of her like a spear tip: Camilla’s. The Sixth cavalier had reclaimed the flashlight, and by its glow she could see that Camilla’s eyes were much darker than her necromancer’s: his were like clear stone or water, and hers were the unreflective, fathomless colour of overturned Ninth House sod, neither grey nor brown. “You go first, Ninth,” she said. “Palamedes follows. I bring up the rear.”
It took a full minute to descend that long, claustrophobic tube, staring at the rungs of the ladder with her robes tucked between her knees, sword clanking on metal all the way down—and at the bottom, Gideon was utterly nonplussed.
What lay beneath the trapdoor was a retro installation. A six-sided tunnel lined with dusty, perforated panels stretched out before them. The ceiling was merely a grille that air coolers pumped through and the floor a grille with visible pressure pumps beneath, and the lights were electric bulbs beneath luminous white plastic. There were exposed pipes. The supporting archways contained bulky, square autodoor sidings. This rhapsody of greys and sterile blacks was interrupted over the nearest arch, where, twisting in the dry breeze of the climate cooler, hung a bundle of old bones. Ancient prayer wrappers were ringed around it, and it was the only human, normal touch.
“Follow me,” said the young man called Palamedes.
He strode forward, filthy hem whispering on the dusty-ass tiles. This place ate sound. There were no echoes: they were squashed and absorbed into the panelling. The three of them clanked unmusically down the tunnel until it opened into a big nonagonal room, with passageways radiating out like bronchiae. Letters of brushed steel were set beside each passage:
LABORATORY ONE–THREE
LABORATORY FOUR–SIX
LABORATORY SEVEN–TEN
PRESSURE ROOM
PRESERVATION
MORTUARY
WORK ROOMS
SANITISER
Light wells above made the panelling white; lights from below—little blinking lights attached to huge machines that went down metres beneath the grille, a huge deep way beneath their feet—made the floors softly green. The walls were unadorned, except for an enormous old whiteboard rimmed in metal, printed with lines for a timetable that had not been used in a very, very, very long time.