Gideon the Ninth - Tamsyn Muir Page 0,51

it, the whole looked so precarious she had consequently gone down with a fit of acrophobia and beat hasty retreat to somewhere less insane. The sky had seemed too wide; the horizon too open; the terrace too much like a total death trap. The landing dock loomed overhead, and so did the opaque, sweeping windows where the Ninth was housed. Looking up was fine. Looking down, still hundreds and hundreds of metres above the sea, made her want to lose her lunch.

Fuelled by the reminder that the only difference between the drillshaft of Drearburh and the broken terrace was that one was fenced and one wasn’t, she ventured up there again. The wind screamed her into the side of the tower. It was crumbled only at the far end, and the part closest to the trunk of Canaan House seemed intact. Stone windbreakers and dry-soiled, extinct gardens trailed off as far as the eye could see around to the other side, rugged with long stretches of empty planter bed and trellis. Gideon took this path. It was not at all clear—some of the big boxy stone structures had collapsed and the rubble never cleared, and there was really not enough structure still left to distract the eye from the bitten-off terrace that had fallen away to its death—but if you travelled around enough, there was a spiralling staircase of wrought iron and brick clasped to the tower’s bosom.

This was also a bitch to travel up, as the more you climbed, the more of the dead terrace you saw—the sea creaked below, changeful in its colour, a deep grey-blue today and whitecapped with wind—but Gideon readjusted her sunglasses, took a deep breath through her nose, and climbed. The first autodoor she saw, she took, and had to hammer five full times before it silently slid open and gave her entry. Gideon ducked in and pressed against the wall as it slid reproachfully shut, and had to take a minute to collect herself.

It was dark here. She found herself in a long hall that terminated in a left-hand corner. It was very quiet, and very cool. The floor was of pale, cream-and-black tile, set in a starry pattern that repeated itself all the way down the corridor; the paler tiles seemed to float, luminous, as the darker melted into the shadows. Great panes of smoked glass had been set into the walls, lit by dark yellow lamps: sconces held dribbles of mummified candle. It was a wide, shady space, and had something of the inner sanctum of Drearburh about it, just with fewer bones. In fact, there was almost no decoration here. The hall seemed strangely closed in, smaller than the space ought to have been, shrugging inward. The floor was beautiful, and so were the doors—they were wood-inlaid with tiny squares of smoked glass, set smoothly in metal frames. There was a single statue at the end of the corridor where it turned left. It must have once been a person, but the head and arms had been lopped off, leaving only a torso with beseeching stumps. It took her a while to realise that she was in a lobby, and that the doors were elevator lifts: each had a dead screen overhead that must have once shown the floor number.

Gideon folded her sunglasses into a pocket of her robe. Quiet echoes caromed off the walls, up and down, then clarified. Voices floating upward. The stairs at the corner of the hallway led down two short flights, the landing visible below, and Gideon crept down them with careful and noiseless steps.

The indeterminate murmurs thinned into sound—

“—s impossible, Warden.”

“Nonsense.”

“Improbable, Warden.”

“Granted. But still—relative to what, exactly?”

There was some shuffling. Two voices: the first probably female, the second probably male. Gideon risked another step down.

“Six readings,” the second voice continued. “Oldest is nine thou. Youngest is, well, fiftyish. Emphasis ish. But the old stuff here is really very old.”

“The upper bound for scrying is ten thousand, Warden.” Yes, it was a woman’s voice, and not one Gideon had heard: low and calm, stating the obvious.

“The point is here, and you are far over there. Nine thousand. Fiftyish. Building.”

“Ah.”

“Fiat lux! If you want to talk improbable, let’s talk about this”—a scrape of stone on stone—“being three thousand and some years older than this.” A heavy clunk.

“Inexplicable, Warden.”

“Certainly not. Like everything else in this ridiculous conglomeration of cooling gas, it’s perfectly explicable, I just need to explic-it.”

“Indubitable, Warden.”

“Stop that. I need you listening, not racking your

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