What went through the mind of the Bishop as he descended the five flights from the attic to the ground floor? What emotion did he feel?
Perhaps it was gloating. Having felt belittled by the Count for over thirty years, perhaps he now felt the pleasure of finally putting this pretentious polymath in his place. Or perhaps it was righteousness. Maybe comrade Leplevsky was so dedicated to the brotherhood of the Proletariat (from which he’d sprung), that the persistence of this Former Person in the new Russia galled his sense of justice. Or maybe it was simply the cold satisfaction of the envious. For those who had difficulty in school or at making friends when they were young will forever recognize with a bitter glance those for whom life has seemed to come easy.
Gloating, righteousness, satisfaction, who can say? But the emotion the Bishop felt upon opening the door to his office was almost certainly that of shock—for the adversary that he had left in the attic just minutes before was now sitting behind the manager’s desk with a pistol in his hand.
How was this possible?
When the Bishop left the Count’s bedroom, the Count was frozen in place by a torrent of emotions—by feelings of fury, incredulity, self-recrimination, and fear. Rather than burn the map, like a fool he had slipped it in his drawer. Six months of the most careful planning and painstaking execution overturned by a single misstep. And what was worse, he had put Sofia at risk. What price was she to pay for his carelessness?
But if the Count was frozen in place, he was frozen for all of five seconds. For these perfectly understandable sentiments, which threatened to drain the blood from his heart, were swept aside by resolve.
Turning on his heels, the Count went to the head of the belfry and listened until the Bishop had descended the first two flights of stairs. Still in his stocking feet, the Count began to follow in the Bishop’s footsteps; but when he got to the fifth floor, he exited the belfry, sped down the hallway, and ran down the main staircase, just as Sofia had at the age of thirteen.
As if he were still enshrouded in a mist, when the Count alit from the stairs, he ran down the hall and entered the executive offices without being seen by a soul; but upon reaching the Bishop’s door, he discovered it was locked. Even as he was taking the Lord’s name in vain, the Count slapped his hands against his vest with relief. For he still had Nina’s passkey in his pocket. Letting himself in, the Count relocked the door and crossed to the wall where the filing cabinets had taken the place of Mr. Halecki’s chaise. Counting from the portrait of Karl Marx, the Count placed his hand in the center of the second panel to the right, gave a push, and popped it open. Taking the inlaid box from its chamber, the Count set it on the desk and opened the lid.
“Simply marvelous,” he said.
Then sitting in the manager’s chair, the Count removed the two pistols, loaded them, and waited. He guessed that he had only a matter of seconds before the door would open, but he used them as best he could to moderate his breathing, lower his heart rate, and calm his nerves; such that by the time the Bishop’s key turned in the lock, he was as cold as a killer.
So unanticipated was the Count’s presence behind the desk that the Bishop had swung the door closed before even noticing that he was there. But if every man has his strengths, one of the Bishop’s was that he was never more than a step away from petty protocol and an inherent sense of superiority.
“Headwaiter Rostov,” he said almost peevishly, “you have no business being in this office. I insist that you leave immediately.”
The Count raised one of the pistols.
“Sit down.”
“How dare you!”
“Sit down,” the Count repeated more slowly.
The Bishop would be the first to admit that he had no experience with firearms. In fact, he could barely distinguish between a revolver and a semiautomatic. But any fool could see that what the Count was holding was an antique. A museum piece. A curiosity.
“You leave me no choice but to alert the authorities,” he said. Then stepping forward, he took up the receiver from one of his two telephones.
The Count shifted his aim from the Bishop to the portrait of Stalin and shot the