The gathering - By Anne Enright Page 0,64

pitied anyone with a problem, just so long as they didn’t pity themselves. Which doesn’t sound altogether fair to me. Which sounds like pride, to me.

I know I sound bitter, and Christ I wish I wasn’t such a hard bitch sometimes, but my brother blamed me for twenty years or more. He blamed me for my nice house, with the nice white paint on the walls, and the nice daughters in their bedrooms of nice lilac and nicer pink. He blamed me for my golf-loving husband, though God knows it is many years since Tom had the free time for a round of golf. He treated me like I was selling out on something, though on what I do not know–because Liam did not allow dreams either, of course. My brother had strong ideas about justice, but he was unkind to every single person who tried to love him; mostly, and especially, to every woman he ever slept with, and still, after a lifetime of spreading the hurt around, he managed to blame me. And I managed to feel guilty. Now why is that?

This is what shame does. This is the anatomy and mechanism of a family–a whole fucking country–drowning in shame.

And, yes, sometimes I look at my nice walls and, like Liam, I say, ‘Pull the whole thing down.’ Especially after my nice bottle of nice Riesling. As if the world was built on a lie and that lie was very secret and very dirty. But I don’t think empires or cities or even five-bedroom detached houses are built on the sordid fact that people have sex, I think they are built on the sordid fact that people have mortgages. Even so, my husband shags me the night of my brother’s wake, and I wave my empty bottle at the Italian suedette seating system, and I too say, ‘Let it all come down.’

One of the last times Liam was over, we were going open plan, actually–the back of the house was ripped out, and we were all camped in the front half, eating take-away. I think I blamed Liam, almost, and not the builders. He arrived in the middle of the rubble with a sad, too-tall woman, who seemed to have no opinions, not even about what she might want to eat. He drank constantly. After five days of it, they headed off to Mayo, and I hoped I would never see him again.

I have a picture from that visit, of Liam with Emily on his knee one night after her bath. He is a small grey heap of a man, settled back into an armchair that is covered in a dust sheet. Emily is two; naked, straight as a die, and more beautiful than I have words to say. Liam’s hands are big, stuffed hands, wrapped around her middle, as he holds her on. Her bum is neat and sharp, sitting side-saddle on one of his thighs. Behind her, the cloth of his trousers wrinkles and sags around a crotch that is a mystery no one is interested in any more. His face is amused.

Liam understood Emily–they liked each other. Of Rebecca, who is more like me, he said, ‘Pity about the teeth.’

I have to forgive that too, I suppose.

Pity about the teeth.

Soon after the Gardai took him in and our father got him out again, he threw the breadknife across the kitchen at my mother, who was probably just trying to say something nice, and the whole family piled into him, and kicked him around the back garden.

‘Ya fucken eejit.’

‘You missed, you thick.’

And there was great satisfaction to it, as I recall. Like a scab that needed to be picked. He had it coming to him.

(And perhaps, more secretly, so did she.)

But still I wondered, for a long time, what the cops had lifted him for. I thought about it a lot. It might have been for a broken window, or nicking drink in the offie, or just the look in his eye. Or it might have been for something I could not even guess at. There was a girl, Natalie, who was weepy and shouting at the corner of the road–maybe it was her. I thought there might have been some misunderstanding, that my father was obliged to straighten out with further information about the girl and her messy ways, and the length of her Saturday-night skirt.

In the end, I had to ask him. I said, ‘Was it Natalie? Was it that wan?’ and he just

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