The gathering - By Anne Enright Page 0,10

people who are too lazy even to love you, even that, let alone find their own shoes under their own bed; people who turn and accuse you–scream at you sometimes–when they can only find one shoe.

And I am crying by now, heading down the airport road, I am bawling my eyes out behind the wheel of my Saab 9.3, because even the meeting your husband has, the vital meeting, was not important (how could you ever, even for a moment, think such things were important?) and he loves you completely for the half an hour, or half a week in which your brother is freshly dead.

I should probably pull over but I do not pull over: I cry-drive all the way. At Collins Avenue, a man stuck in the oncoming traffic looks across at me, sobbing and gagging in my posh tin box. He is two feet away from me. He is just there. He gives me a look of complete sympathy, and then he eases past. It has happened to us all.

And what amazes me as I hit the motorway is not the fact that everyone loses someone, but that everyone loves someone. It seems like such a massive waste of energy–and we all do it, all the people beetling along between the white lines, merging, converging, overtaking. We each love someone, even though they will die. And we keep loving them, even when they are not there to love any more. And there is no logic or use to any of this, that I can see.

In the airport, I drive round and round the car park, floor after floor, until I am out under the evening sky. Liam used to laugh at me for this. Everyone used to laugh at me. The way I always park in the space that is nearest the planes: and that space is up on the roof, out in the rain.

I turn the engine off and watch the drops shunting down the windscreen.

The last time I brought him here, I could not wait to see him gone.

Seriously. The last time I brought him here, I sat for a moment, looking straight ahead, and the bulk of him in the front seat beside me was remarkable: the dark heap of him, when I turned and spoke to the brother that I knew–Christ! this grey thing in an unwashed shirt, this horrible old fucker, that I turned to and said, ‘So. Plenty of time.’

I walked him all the way to the departure gates and watched him go through. I wondered was it possible for him to come back out again. It occurred to me that it could not be against the law. You can go right up to the gate and change your mind. You can even spring out of your seat on the plane and change your mind and walk back the way you came, back out into Ireland, where you can make everyone miserable, for another little while.

Usually, people’s brothers become less important, over time. Liam decided not to do this. He decided to stay important, to the end.

A plane roars low overhead and, when it is gone, I am hanging on to the steering wheel, with my mouth wide open. We stay locked like this for a while, me and the car, then I sit back up and open the door.

While I am doing this–my mute screaming in my convertible Saab in the airport car park in the rain–I can feel Liam laughing at me. Or I feel his absence laughing at me. Because, somewhere, over there to the side–the place you can’t quite see–he is completely there, and not there at all. He is not unhappy, I realise, now that he is dead. But it is not just his mood I feel as a warmth at the base of my spine. It is his disappeared, dead, essential self. It is the very heart of him, all gone, or going now.

Goodbye Vee

Goodbye

Goodbye

I open the door and climb out into the rain.

5

HERE IS MY grandfather, Charlie Spillane, driving up O’Connell Street towards his future wife in the Belvedere Hotel.

It is half past ten on a Tuesday night. It is Lent. A few profane couples drift out of the Gresham or the Savoy Grill to take the tram or start the walk home, but otherwise the town is quiet. Charlie’s car is a thick grey and when it slips under a streetlamp a pool of blue leather opens to the night. The hood is

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