Game Over - By Adele Parks Page 0,61

closer,’ he insists.

There is one old guy playing a violin. He’s ancient; he has a long, white beard. He is playing Vivaldi’s ‘Spring’. He skips lightly through the air, barely landing before rising again, his skinny limbs tapering in effortless rhythm. Grudgingly I throw some coins into his battered Panama. He is talented. He moves his head in a slight dip, more dignified than a bow. Darren smiles at me. I smile back.

We cross over the river and reach Embankment tube station. It’s heaving. A burly mass of drunks in suits and drunks in rags. Distinguishable simply by their disposable incomes. Darren fights, through the morons and marauders, to the ticket machine. He buys our tickets. Mine for east London, his for south. We’re on separate lines and going in separate directions.

‘Will you be OK getting home?’

‘Fine. I’m a tube veteran.’ This is a lie. I usually catch a cab but if I say so I’ll have to explain why I’ve just walked half a mile to the tube station. Which I can’t explain, not even to myself.

‘Well, it’s been great to meet you, Cas. A very entertaining evening.’ Darren stops and turns to face me.

‘I bet you’ve hated every second.’

‘Not at all.’ He hesitates, then adds, ‘The reverse.’

I smile broadly, relieved. ‘Well, goodnight.’

‘Goodnight.’ Neither of us moves. Suddenly this feels very date-like. Will he kiss me? Is he going to shake my hand? He leans in and I think he’s going to kiss my cheek so I move my head suddenly. In fact, it appears his original target was my lips but my sudden manoeuvre means that his smacker ends up somewhere between my chin and earring. We jump apart and Darren heads towards the ticket barrier. It’s certain. He’s going to walk out of my life and back to his trees.

And right now I can’t think of anything more soul-destroying.

My reluctance over letting him go must be attributable to the amount of wine I’ve drunk. Isn’t it? God, I really fear it’s more than that.

‘Darren!’ My yell slices through the crowds and almost as though he’d been waiting, Darren responds immediately by turning and walking straight back to me. I usher him away from the tube-station crowds, back towards the river. I’m buying time as I formulate a plan.

‘At the very least I have to be seen to have done everything in my power to persuade you to come on the show.’

‘You have,’ he assures.

‘Not everything.’

Darren looks a bit shocked. ‘Are you going to—’

I read his mind. ‘No. Not that,’ I interrupt, understanding at once that he thinks I am going to offer to have sex with him. I’m unaccountably insulted. Darren blushes.

‘That’s a relief.’ Then he blushes again. ‘Not that I wouldn’t want to, but the circumstances are—’

I help us both out by interrupting him. Before I’ve even thought about what I’m going to say, or why I’m saying it, or the consequences of opening my mouth at all, habitual bullshitting kicks in.

‘No, my proposition is of a different nature. I’d like to be given the chance to present my side of the story. To do that I’d need to spend some time with you. I’d need to shadow you for a day or so.’ It’s a gamble but I’m a player. He looks at me doubtfully.

‘You won’t change my mind.’

‘Maybe not, but at least give me the opportunity to appear to have done my best. It will save my bacon with the guys at TV6.’

This isn’t true. In fact, what I should do now is return to the studio and help Fi recruit a replacement scenario.

But after spending the evening with him I know that if he were to appear on Sex with an Ex, it would be the best show ever. He’s delicious-looking, articulate, sexy and moral. If I could publicize his objections and how we overcame them, the entire country would support Sex with an Ex. There have been some objections to the show. Few and far between, and in my opinion mostly hypocritical. But those who are squeamish about weddings collapsing like stacked cards would surely throw their lot in with TV6 if someone like Darren has. Who could resist Darren? And although I can’t be sure that he will be persuaded I’ve got to give it my best shot.

I begin to mentally rearrange my schedule and calculate how much Fi will be able to handle on her own if I’m not in the studio. At the same time that I’m making these

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