Five Dark Fates (Three Dark Crowns #4) - Kendare Blake Page 0,5
the throne and steps up beside it, her fingertips just grazing the gilded arm. Even now, it feels like it is hers, this thing she has been directed to, pointed at, since the day she was born. But it is not her portrait that hangs behind it. No portrait of fire and fierce storms, no elemental queen with her gown billowing behind her. Instead, the portrait that hangs there is Katharine’s, dark and still, and full of bloody bones.
“Do you want to sit in it?”
Despite herself, Mirabella jumps. And when she turns, there she is: wicked, deadly little Katharine, who slipped inside silently, without so much as the creak of a door or the rustle of a skirt.
“To pretend for a while that you won?”
“No,” Mirabella says. “Of course not.”
“Then get away from my seat,” says Katharine, and smiles. “Come and greet me properly.”
Properly, Mirabella thinks. Is she expected to kneel and kiss her ring? She could not bring herself to do it. She does not know if she can even steel her spine enough to touch Katharine at all, for fear of a poisoned blade quickly buried in her neck.
Katharine walks slowly forward. Her black eyes glitter. Unlike her guards, she seems not the least bit afraid.
Mirabella steps down and away from the throne, forcing her legs to move across the carpet. The sisters stop in the center of the room, no more than an arm’s length away from each other.
“Do not ask me to bow,” Mirabella says. “I am here as an ally, not a subject.”
“I will not ask you to bow any more than I will ask you for embraces.” Katharine’s mouth crooks. “Not yet.”
Mirabella relaxes slightly. They have not been this close since the banquet before the Queens’ Duel, when Katharine dragged her around the dance floor like a marionette shortly before Mirabella was poisoned by Billy’s father. But she remembers well the coldness of Katharine’s grip and the strength in her fingers.
“I am surprised that you came,” Katharine says, and crosses her arms. “You could not have been pleased that I cut that naturalist’s throat.”
“It was supposed to be a trade. The Legion Queen for her mother. No one was supposed to die.”
“And no one would have, if not for the mist. And if she had not tried to run.”
Mirabella swallows. Her mouth has gone completely dry.
“I did not turn to your side,” she says. “And I did not turn against Arsinoe. I turned against Jules Milone when I saw what the curse had done to her.” She narrows her eyes. “Or, I suppose, what you turned her into when you cut the blood-binding loose from her mother’s neck.”
Katharine cocks her head, indifferent. “All that did was reveal the monster she always was underneath. And what a monster she was. She will be a handful, even for you.”
She will be more than that, Mirabella thinks. The war gift that Jules hurled at her in the valley knocked her clean off her feet. And Jules had not even truly been aiming.
Katharine walks around Mirabella in a slow circle, and Mirabella straightens as she is appraised. The queen looks over the stains in the blue fabric of her dress, the torn and dirty lace. It is a rather poor fit as well—too tight in the bodice and bosom, cut for the thin, wiry figure of Billy’s sister, Jane. Mrs. Chatworth had brought in a tailor to make alterations, but the fabric had its limits.
As Katharine walks behind her, Mirabella is careful to keep her in her sights.
“Is that all?” Katharine asks. “All it took to make you desert the rebellion?”
“It was not all.” Mirabella looks down. “I am a queen. A true queen, in the blood. And the line of queens should not be set aside so lightly. Not even if the future of it resides in someone as terrible as you.”
Katharine whirls. She holds her hands together so tightly that they shake.
“An interesting choice coming to the Volroy dressed as a pauper,” she says finally, her voice light. “Was it intentionally symbolic, or could you just not manage anything else?”
“On the mainland, this dress was one of the finest in the city.”
Katharine raises her brows. “No matter. We will have you dressed in proper blacks and looking yourself again soon enough.”
“Would you want that? Should I not be dressed in a penitent cloak of gray? To show my shame and my deference to the crown?”
“The people do not need to be reminded of who wears the