of headlights burning towards her. A huge cannon of thunder explodes overhead, the sky lights up again, the rain becomes, if it is possible, even heavier. She pulls her battered smartphone from the outside pocket of her rucksack, turns it on. She sees that she has 8 per cent battery charge left and is about to switch it off again when she notices her phone has sent her a notification from her calendar. It’s been there for weeks now but she can’t bring herself to cancel it.
It says, simply: The baby is 25.
3
CHELSEA, LATE 1980s
My name, like my father’s name, is Henry. This duplication was the cause of occasional confusion, but as my mother called my father darling and my sister called him Daddy and pretty much everyone else called him Mr Lamb or sir, we got by.
My father was the sole beneficiary of his own father’s fortune, made from slot machines. I never knew my grandfather, he was very old when my dad was born, but he was from Blackpool and his name was Harry. My father never worked a day in his life, just sat around waiting for Harry to die so that he could be rich in his own right.
He bought our house on Cheyne Walk in Chelsea the very same day he got his hands on the money. He’d been house-hunting during Harry’s dying days, had his eye on the place for a few weeks, was terrified that someone else was going to put an offer in on it before he could claim his inheritance.
The house was empty when he bought it and he spent years and thousands filling it with what he used to call objets: moose heads looming off panelled walls, hunting swords hanging crossed above doorways, mahogany thrones with barley twist backs, a medieval-style banqueting table for sixteen, replete with scars and wormholes, cabinets full of pistols and bullwhips, a twenty-foot tapestry, sinister oil portraits of other people’s ancestors, reams of gold-blocked leather-bound books that no one would ever read and a full-size cannon in the front garden. There were no comfortable chairs in our house, no cosy corners. Everything was wood and leather and metal and glass. Everything was hard. Especially my father.
He lifted weights in our basement and drank Guinness from his own private keg in his own private bar. He wore £800 handmade suits from Mayfair that barely accommodated his muscles and his girth. He had hair the colour of old pennies and raw-looking hands with tight red knuckles. He drove a Jaguar. He played golf although he hated it because he wasn’t designed to swing a golf club; he was too solid, too unyielding. He went on shoots at the weekends: disappeared on Saturday morning wearing a tight-fitting tweed jacket with a boot full of guns and came home on Sunday evening with a brace of wood pigeons in an ice box. Once, when I was about five, he brought home an English Bulldog he’d bought from a man on the street using the mint-fresh fifty-pound notes he kept rolled up in his jacket pocket. He said it reminded him of himself. Then it shat on an antique rug and he got rid of it.
My mother was a rare beauty.
Not my words. My father’s.
Your mother is a rare beauty.
She was half-German, half-Turkish. Her name was Martina. She was twelve years younger than my dad, and back then, before they came, she was a style icon. She would put on a pair of dark sunglasses and take herself off to Sloane Street to spend my father’s money on bright silk scarves and gold-encased lipsticks and intense French perfume and she would be photographed sometimes, her wrists encircled with bag handles, and put in the posh papers. They called her a socialite. She wasn’t really. She went to glamorous parties and wore beautiful clothes but when she was at home she was just our mum. Not the best mum, but not the worst, and certainly a relatively soft spot in our big, masculine, machete-adorned Chelsea mansion.
She’d once had a job, for a year or so, introducing important fashion people to each other. Or at least that was my impression. She had little silver business cards in her purse, printed with the words ‘Martina Lamb Associates’ in hot pink. She had an office on the King’s Road, a bright loft room over a shop, with a glass table and leather chairs and a telex machine, rails of clothes in clear plastic, a