“Just once or twice to pick some stuff up. I saw Dad, and he said you were okay.”
“I am.”
“It looks great.” He nodded toward the stage she had just left, and she was pleased, like his father, he had a good eye for successful films. She got too caught up in details to see the whole, and they were better at that. They could stand back and see it differently. “That was some scene.”
She smiled. “We've been working on it for a week.” And as she spoke, their big star, whose scene it was, wandered over toward them, casting a glance at Lionel, and looking more seriously at Faye. He was as much a perfectionist as she, and she loved working with him. This was the second picture they'd done and she was very pleased with him. He was one of the up and coming stars of Hollywood, Paul Steele, and he sat down next to Faye.
“What did you think?”
“I think we got it the last time.”
“So do I.” He was glad that she had felt it too. “I was getting worried by yesterday. I didn't think I'd ever get this scene right. I stayed up all last night working on it.” She was, as always, impressed with him.
“It showed. Thanks, Paul. That kind of dedication is what makes it work.” But damn few actors were willing to work like that. He was. And he stood now, and looked at Lionel with a smile.
“You must be Faye's son.” People always guessed and both Faye and Lionel laughed.
“How'd you guess?”
Steele squinted with a grin. “Oh, let's see … the hair … the nose … the eyes…. Listen, kid, all you need is the same hairdo and a dress and you could be twins.”
“I'm not sure I'd approve of that,” Faye laughed, “in fact, I can tell you right now, I wouldn't.”
“So much for that.” Paul laughed.
“I was very impressed by your last scene, Mr. Steele.” Lionel was deeply respectful of him, and Steele was touched.
“Thank you.” Faye introduced them formally, and Paul shook his hand. “Your mother is the toughest director in town, but she's so good it's worth all the blood, sweat, and tears.”
“My my, such compliments.” All three of them laughed and Faye glanced at her watch. “We have about an hour, gentlemen. Can I invite you both to lunch in the commissary?”
Paul made a grisly face. “Christ, torture yet. Can we do better than that? My treat. My car is right outside the studio.” But they all knew there wasn't much outside the studio, and they didn't have much time. “All right, all right. I give in. Indigestion, here we come.”
“It's not that bad.” Faye tried to defend it to no avail. Paul and Lionel both disagreed with her vociferously and the threesome walked to the commissary. Paul inquired if Lionel was in school, and he explained that he had just started at UCLA, majoring in cinematography.
“That's where I went. Have you had time to figure out if you like it yet?”
“It seems great.” Lionel grinned happily, and Paul was amused. He was so young, but as they talked over lunch, it was obvious that he was a bright kid. He was intelligent and sensitive, knew a great deal about his chosen field, and talked intensely with Paul until Faye said they had to get back. And once they did, Lionel seemed to linger, wanting to absorb the atmosphere. Paul invited him into his dressing room, while he put his makeup on again and the studio hairdresser did something different to his hair. He was a prisoner of war in the next scene, and Lionel was dying to stick around but he had to get back to school. He had three more classes that afternoon.
“That's too bad. I've enjoyed talking to you.” Paul looked at him with a genuine smile. He was sorry to see him go. He liked the boy … too much perhaps … but he wasn't going to let it show, out of respect for Faye, and this very young boy. He wasn't in the habit of corrupting anyone, and virgins weren't quite his thing. But Lionel seemed anxious to see him again, much to Paul's surprise.
“I'd like to come back and watch some more. I have a free afternoon at the end of the week.” He looked at Paul Steele hopefully, like a child waiting for Santa Claus, and Paul wasn't quite sure if it was the film he was excited about, or