Fall; or, Dodge in Hell - Neal Stephenson Page 0,82

other way, inbound from the country, were rarely if ever stopped Checkpoint Charlie–style. But they were sure as hell scrutinized. Nothing came in from that direction without being seen and scanned by a hundred cameras. Vehicles that were hard to see into, because of darkly tinted glass or no glass at all, tended to get pulled over by peace officers who expressed polite curiosity about how many people were in the back and what they were carrying. It was all so understated that an inattentive observer might not have noticed it. Had Uncle Dodge been somehow resurrected and joined them on this drive, he might have seen very little overt change from how it had looked in his day. But, gray and blurred as it might have been, the border, staked out by Walmarts and truck stops, was as real as anything from Cold War Berlin.

But nothing really happened; there was no one moment when they definitely crossed over into Ameristan. The closest thing to a formal ceremony was when Tom pulled over onto the gravel shoulder of a two-lane road between cornfields and turned on his four-ways. Sophia followed suit. Kevin got out of the passenger side, ambled back, and yanked off the truck’s license plate—which was evidently held on with magnets. He then went round in back of the Land Cruiser and collected its plate, then gave the back of the vehicle a companionable slap. He tossed both plates—now stuck together by the magnets—into the back of the pickup. Then the caravan was back on the road.

“When in Rome,” Julian said.

They picked up speed on a decently paved two-lane highway, navigating a few bends that took them down to a bridge across a motionless brown river. Then they climbed up into flat farmland. Sophia dropped back a little in case Tom hit the brakes, and Tom didn’t seem to mind. Conversation halted. The others flipped their glasses down and lost themselves in stories or games. Left alone behind the wheel, Sophia kept the conversation going in her head for a while. But there was nothing to sustain it. The occasional fiberglass statue of a political leader, erected by a farmer in the front yard of an isolated house, or a makeshift billboard railing against contraception. Not so much different from what Dodge might have seen. About an hour out of Des Moines, they did pass by a tiny sign—Sharpie on plywood—bearing what might have been the burning-cross logo of the Levitican Church. An arrow pointed to the right down a gravel road that seemed to lead nowhere. She recognized it only a fraction of a second before she blew by it, and was left wondering if it had been real. The only other person who seemed to have noticed was Kevin, in the escort truck, who turned his head to the right and scanned the horizon, more curious than alarmed. Then he turned and exchanged words with the driver, Tom. Kevin bent forward for a few seconds. When he sat up straight again, the barrel of an assault rifle came into view, pointed up at the ceiling next to his head. He made some remark to Tom and both of them had a laugh. Tom reached out with his right hand and fiddled with something on the truck’s center console. That fixed-wing drone rose into the air from the pickup’s roof and climbed into the sky. Kevin pulled his glasses down over his eyes—though “goggles” might have been a better term for what he was sporting. They did all the same things as what Sophia and her friends wore. But those were styled as eyeglasses, meant to be small and unobtrusive. Those worn by Tom and Kevin came from a whole different aesthetic universe and Sophia was pretty sure that their advertising copy made frequent use of the words “tactical,” “rugged,” “mil spec,” and “grueling.” What Kevin was presumably seeing through them now was a drone’s-eye view of the surrounding few square miles of landscape. Here, that was pretty much guaranteed to consist of a graph-paper matrix of two-lane roads, some paved and some gravel, dicing the flat green territory up into square-mile production units.

Ameristan couldn’t have had less in common with how it would have been depicted in a movie or video game. Tom and Kevin had perceived or imagined some threat. Its nature was hinted at by the handmade sign they had passed at the crossroads. Maybe these guys also had access to edit streams of