Fade Out Page 0,4

entirely. I would call it a great favor if you would visit.

It was signed, with an ornate flourish, Amelie. As in, Amelie, Founder of Morganville, and Claire's ultimate - although she didn't like to think of it this way - boss/owner.

Before Claire could open her mouth to ask, Myrnin's cool white fingers reached over her shoulder and plucked the page neatly from her hand. "I said determine if we can use these things, not read my private mail," he said.

"Hey - was that why you came to America? Because she wrote to you?"

Myrnin looked down at the paper for a moment, then crumpled it into a ball and threw it in a large plastic trash bin against the wall. "No," he said. "I didn't come when she asked me. I came when I had to."

"When was that?" Claire didn't bother to protest how unfair it was that he wanted her to not read things to figure out if they needed them. Or that since he'd kept the letter all this time, he should think before throwing it away.

She just reached for the next loose page in the box.

"I arrived about five years after she wrote to me," Myrnin said. "In other words, too late."

"Too late for what?"

"Are you simply going to badger me with personal questions, or are you planning to do what I told you to do?"

"Doing it," Claire pointed out. Myrnin was irritated, but that didn't bother her, not anymore. She didn't take anything he said personally. "And I do have the right to ask questions, don't I?"

"Why? Because you put up with me?" He waved his hand before she could respond. "Yes, yes, all right. Amelie was in a bad way in those days - she had lost everything, you see, and it's hard for us to start over and over and over. Eternal youth doesn't mean you don't get tired of the constant struggles. So . . . by the time she wrote to me again, she had done something quite insane."

"What?"

He made a vague gesture around him. "Look around you."

Claire did. "Um . . . the lab?"

"She bought the land and began construction on the town of Morganville. It was meant to be a refuge for our people, a place we could live openly." He sighed. "Amelie is quite stubborn. By the time I arrived to tell her it was a fool's errand, she was already committed to the experiment. All I could do was mitigate the worst of it, so that she wouldn't get us all slaughtered."

Claire had forgotten all about the box (and even Bob the spider), so focused was she on Myrnin's voice, but when he paused, she remembered, and reached in again to pull out an ornate gold hand mirror. It was definitely girly, and besides, the glass was shattered in the middle, only a few silvery pieces still remaining. "Trash?" she asked, and held it up. Myrnin plucked it out of her hand and set it aside.

"Most definitely not," he said. "It was my mother's."

Claire blinked. "You had a - " Myrnin's wide stare challenged her to just try to finish that sentence, and she surrendered. "Wow, okay. What was she like? Your mother?"

"Evil," he said. "I keep this to keep her spirit away."

That made . . . about as much sense as most things Myrnin said, so Claire let it go. As she rummaged through the stuff in the box - mostly more papers, but a few interesting trinkets - she said, "So, are you looking for something in particular, or just looking?"

"Just looking," he said, but she knew that tone in his voice, and he was lying. The question was, was he lying for a reason, or just for fun? Because with Myrnin, it could go either way.

Claire's fingers closed on something small - a delicate gold chain. She pulled, and slowly, a necklace came out of the mess of paper, and spun slowly in the light. It was a locket, and inside was a small, precise portrait of a Victorian-style young woman. There was a lock of hair woven into a tiny braid around the edges, under the glass.

Claire rubbed the old glass surface with her thumb, frowning, and then recognized the face staring back at her. "Hey! That's Ada!"

Myrnin grabbed the necklace, stared for a moment at the portrait, and then closed his eyes. "I thought I'd lost this," he said. "Or perhaps I never had it in the first place. But here she is, after