into a shapeless lump, so my head wasn’t a rounded dome. Mosquito netting over the front of the hat darkened my face and helped it blend in with my black clothing. I’d also draped a larger swatch of netting over the window, to further darken and blur my silhouette. For the window itself, I’d cut out a pane. Breaking glass makes noise. Lifting the sash looks suspicious. If you see a closed window, you assume all the panes of glass are there.

I could see Evelyn’s hat weaving through the crowd. It was pink and old-ladyish. For Evelyn, I’m sure that was a fashion torture on par with my push-up bra, and judging by the look she’d given me when I found it for her, I was in for some serious payback. But it made her easy to track, and that’s all that mattered.

I needed to be able to find her in a split-second survey of the parade scene because my attention had to remain focused on the main lure, Jack. He couldn’t wear anything as obvious as a pink hat. Fortunately, tracking him wasn’t the issue because he’d staked out a table at the edge of a licensed patio, where he nursed a pint of beer and read a motorcycle magazine. If he attracted the attention of anyone who looked as if he could be Wilkes, Jack would fold up his magazine, vacate the patio and head for the alley beside it, which was right across from my perch and lined up for a perfect shot. Alternately, if Evelyn spotted Wilkes, she’d get Jack’s attention and he’d make his way to Wilkes, while staying within my line of fire.

Wilkes could be planning a sniper shot himself, but according to Evelyn, he was crap at distance shooting. Besides, if he wanted to reassert his credibility with the Feds, firing from a safe distance would be a cop-out. Just in case, though, I’d been careful to pick a spot with no surrounding high buildings.

As I was thinking this, something thudded over my head. My first reaction was an instant gut-clench, accompanied by a vision of Wilkes standing at the window over mine, his scope trained on Jack. My second reaction was a stifled laugh. There was no floor above mine—just a roof, one with a sloped front and a high lip, unsuitable for shooting.

From overhead came the distinct sound of gravel crunching underfoot. I gave myself a mental shake. Nerves are a sniper’s worst enemy. The slightest tremor, and you might as well put the rifle back in its case.

I checked my pulse. Steady. Good. Now concentrate on—

A chirp from the rooftop exit hatch.

Maybe it was only my mind playing tricks, but until I reassured myself of that, my shot was in jeopardy. I took one last look at Jack, then checked my watch. Six minutes to parade time. I laid down my rifle, slipped out of the sling, then spread my tarp over my gear—the fastest way to hide it.

As I pulled out my handgun, I ran though the description Evelyn had given for Wilkes—late fifties, six foot one, big-boned. The rest didn’t matter—a disguise could change hair and eye color, make him older and heavier, but shorter or significantly younger were impossible.

It was only then, as I visualized him, that the full impact of what was happening hit. This man, now sneaking into the building, could be Wilkes. The Helter Skelter killer. My target.

I was transported back to the opera house, to that hour when I’d been so sure we’d get him, and I felt again that excitement, that rising sense of oddly calm anticipation. Senses heightening, muscles tensing, pulse hitting a steady rhythm, sliding into that perfect zone.

In that hour at the window, I’d known who I hoped to find in my scope. Yet I never felt it. Too distant a target, too cerebral a goal. What I loved about distance shooting—that total control—also robbed me of this, that delicious moment of knowing that in a few minutes, I’d see my target’s face, hear his gasp of shock, smell his fear.

As a loose ladder rung creaked, I pictured him, frozen in midstep, the creak seeming to ring out like a gunshot. He’d listen for any responding sound from below, then start down again, slower now, testing each rung first. Finally, he’d reach the bottom. A few steps and he’d be at my door, turning the handle…

The soft click of the latch. Good. Now look out into the hall. Make