right thing, too. For a while, the two of us being together was perfect. And then it wasn’t.
In ending my relationship with your dad, I ended my career as a musician, and I threw away the future we had been imagining together. But after a long while, I found another part of myself.
I wonder sometimes if there’s a way to have both. But if there is, I haven’t found it.
24
As the fund-raiser continued, Emily kept drifting closer and closer to the pianist. She watched his fingers from behind. She watched how his body moved to the rhythm of the music. She’d played like that, too. In “Queen of All the Keys,” the song Rob had written about her, there was a line about how she danced while she played, her hips swaying, her whole body moving to the music.
Not far from the piano was a high-top table with one chair next to it. Someone must’ve taken the other one to add to a group nearby. After a while, Emily got herself another glass of wine, slid onto that chair, and enjoyed the songs. She saw Ezra across the room, chatting with some other doctors, and wondered what it was that he hadn’t told her about his day, but then she lost herself in John Coltrane and Duke Ellington, Dizzy Gillespie and Jimmy Heath. All of Ezra’s favorites.
After the pianist played “Gingerbread Boy” and nailed the piano solo in the middle, Emily unclasped her purse and walked over to drop a $20 bill in the brandy glass he was using as a tip jar.
The man, who looked like he was maybe ten or so years older than Emily, smiled at her as he finished the tune, his fingers moving without him paying attention to them anymore. “You’re my best audience tonight,” he said. “I saw you fingering along with me. You play?”
Emily looked down at the Steinway. “I used to,” she told him.
The pianist transitioned from “Gingerbread Boy” into “Blue Skies.” “You’re looking at this piano the way I looked at a bottle of vodka before I got sober,” he said to her. “Good news for you is that a piano won’t rot your liver.”
Emily laughed.
“You wanna play?” he asked. “I’m due for a break anyway. They were going to pipe some music in for fifteen minutes, but I’d be happy to let you take over instead.”
“I couldn’t,” Emily said, even though she wanted to sit down on that piano bench so badly she could feel the desire pulsing through her body, traveling from her heart to her wrists to her fingertips.
“I saw how your fingers move,” the pianist said. “I’m pretty sure you could. How ’bout I slide over and you give one song a go? If I’m wrong and you can’t really play, I’ll just take over again and finish up with one more song before my break.”
Emily looked down at the piano and then flexed her fingers. She hadn’t touched a piano in nearly thirteen years. But she found her fingers playing imaginary keys all the time—scales on her knees while riding the subway, chords along with the radio while waiting for takeout, whole theme songs while she was watching TV. Was it like riding a bike? Like swimming? Or would she sit down on that bench and fail spectacularly?
“I’ll try a song,” she said, her heart speeding up in anticipation or fear or another emotion she wasn’t quite able to name.
The pianist finished “Blue Skies” and slid to his left on the piano bench. Emily gathered up the skirt of her gown and sat next to him.
“Do you need music?” he asked.
Emily shook her head. She took a deep breath and laid her hands lightly on the keys. The piano was beautiful. The keys were smooth and gleaming. It felt familiar, like putting on a favorite sweatshirt on the first cool night of summer.
“Does it have to be jazz?” Emily asked the pianist, putting her hands in position to start the “Maple Leaf Rag,” though not sure if she’d be able to remember enough to get through the whole song.
“Play whatever you want,” he said.
With his permission to play anything, Emily moved her hands into a different position. She’d listened to the song so many times at this point that she knew it in her heart, in her bones, in her fingers. Plus it was so similar to the song she once played with him. The one he sang about her. His queen.