true ordnance for fear of incinerating the Ambassadors and himself.) But to those who were unprepared it was fireworks enough. The river-slapping force of the barge, stoked to boiler-blowing overload, hauled the beautiful abomination forward, where it was set free in a dense shower of glitter, sparks, and feathers.
It was right about then that Mule Christian glanced up from his row of chained fellow slaves and came to the conclusion that this was the sign from God that he had been waiting for. There was no other way to interpret it. This was a message from the Almighty. And he knew in his heart just what the message was.
Mule was what white plantation owners of the day would have described as a “big field nigger”—and big he was, in every way. Worth fourteen hundred dollars in St. Louis. More in Memphis or New Orleans. Six feet five inches tall and as muscled as a well-bred fighting dog. He had the mind of a child but a clear head, except when it came to his religious visions. Somewhere in the past his people had come from the Bight of Benin, that gouge in Africa that extends from Cape Verde to the Congo River. They had given him a name that sounded like Mulu, but all that was a cloudy memory. Mule he became to everyone he met in the cruel New World. An earlier owner had been known as Christianson, but it was thought that his American surname owed more to the fervent faith he had adopted. In any case, Mule Christian knew what he must do. The moment he gazed up at the terrible blue sky, he knew.
“Heee comin’!” the giant boomed in his work-gang baritone. “Heee comin’ to sabe us all! Lord beee praised—heee comin’!”
This remark, uttered as loudly as it was, at the precise moment that it was, by someone not expected to speak at all—and by someone of Mule’s impressive physical stature—had a profound effect. The tall-hatted white dandies in polished boots moved toward their carriages. Several of the auction items sought to plunge to the ground in fear and supplication, which, chained as they were, caused havoc among the rows. Others, in a state of understandable panic, tried to bolt. They had no clear thought of trying to escape. They had no clear thought at all—and, pulling in different directions, manacled together, they created a gibbering tangle of prostrate and floundering black flesh.
For the whites in official control, this was problem enough to loose a tide of anxieties that translated into physical force—which served only to intensify the confusion and the fear. There were also their own concerns to deal with. What had emerged out of the blue was odd enough to make even the most tough-minded of them drop their jaws and entertain the flickering conclusion that Mule Christian may well have hit the nail on the head (which had been a part of Lloyd’s intention from the start).
The uncertainty flashed like flint in a caved-in mine and triggered a series of incidents of localized violence that turned into streetwide turmoil. Whips cracked, horses bucked, a carriage turned over, at least one firearm was discharged—to no effect, except to heighten the hubbub. And Mule Christian managed to break free. How he did it no one in the confusion saw, but while the overseers were busy trying to regain order and the loiterers were scattering like mice—the drunks and larrikins rolling over themselves in stupefaction—Mule Christian broke free of his chains and stood tall on the steps of the courthouse staring at the sky, waiting for the salvation that he knew was coming.
Brookmire had had all his attention riveted at the end of his spyglass, staring at first with pride, then shock, and then abject devastation. Something in the course of events in the sky convinced him that things had not only gone very wrong, they were about to get much worse, and a finely tuned instinct for self-preservation sent him scurrying down from the courthouse.
There were too many other things to take interest in: ululating slaves, shouting foremen, barking dogs, wagon smashups, and the risk of being trampled—and above all else, above them all and closing fast, a magical marionette of an angry bird boy descending to wreak vengeance or enact some revelation.
The truth, however, is that if Brookmire had managed to maintain his poise and position he might have become aware that he was being scrutinized himself—from two different rooftops and two very different