on the river, behind the barge, under the cover of night. Of course there were dangers, and of course there were a few glitches at first, but nothing he could not handle. The cells of the fabric wings filled with air, and within two trials he rose to the full tension length of the line, albeit very wet.
And what a feeling! In his dreams he saw future creations, combining the lightness of cloth and the capacity to change shape with the strength of reinforced structure and the thrust of unthinkable motors. He would think them! After his display over St. Louis, he would turn his mind to engines and generators. Beyond steam, electricity, and magnetism, there were miracles on the horizon of his imagination. Mirror-bright machines with the maneuverability of dragonflies. Vast airborne opera houses. Enormous bullets with men in them. He no longer cared about Texas and his uncle. He longed to get to the future. To plant a flag and stake his claim. Pathfinder. Priest of Invention. Impresario.
The searing heat of September found him ready to step beyond theory and trial. He could not rehearse the complete performance; there were not enough materials or secrecy to go around. He felt that he had mastered the physics and engineering problems as completely as he could without open and comprehensive testing, which he could not afford or risk. His butcher paper and Buffalo-book notes were full of coefficients of drag and the effects of air pressure on airspeed, calculations about wingspan and weight-to-lift ratios—a miniature history of the mathematics of flight strained through a sieve. If only he had more time. If only he had better equipment. If only he could come out and work in the open. But he did not, could not, and a natural tendency toward arrogance settled him on what he had accomplished. It would do. It had to.
So he turned his mind away from the science of his creation to its aesthetics, with particular attention to the stimulation of bewonderment. For this he looked to Mulrooney, master of tinsel angels and two-headed cats. The professor and his mute wives were still battling the marsh fever but had managed to relocate nearer the fresher air of the river. Urim and Thummim remained hardy in health where the fever was concerned but incomprehensible as ever in terms of speech.
While Lloyd had been tackling the ancient dream of human flight with some success, Mulrooney had made no headway whatsoever in cracking the brothers’ private code, and the two preterhuman charges seemed as remote from the world as when the boy had first met them. They had, however, been busy in their own right, although Mulrooney could make nothing of their written efforts. Since Lloyd had last seen them, they had filled up every scrap of paper and smoothed-out rag that they had been given with more of their queer hierograms. The tent was now littered with their work. In addition to the repetition of the singular tornado icon, their row upon column of insectoid deliberations mingled regimented dots and curls like imaginary musical notes and unknown mathematical symbols with the filigreed suggestions of animal forms and crystalline shapes that brought to mind the snowflake images that float across one’s eyes when staring.
Lloyd was struck by the fact that, with the exception of his graphs and diagrams, the brothers’ esoterica bore an inescapable resemblance to his own figurings and formulas—to the extent that if some ordinary person compared his Buffalo-book pages with the sheaves and remnants here, they might well have assumed that the teratoids had been working on the same problem in parallel, but from an encrypted perspective. To his further puzzlement, he could not avoid the impression that if gazed at without close scrutiny the goblins’ ciphers took on an overall pattern—a hypnotic labyrinthine spiral. It took an act of will to force himself away from contemplation and back to the reason for his visit.
Mulrooney was beside himself with curiosity about the boy’s request, but believing in Lloyd’s assurances that his plan was almost fulfilled and would soon create significant new business opportunities for them both, the showman was willing to supply what goods he could: strips of painted cloth, jars of colored sand, and bits of broken mirror—all sorts of things he had magpied from his “peregrinations” to fascinate children and lend an enchanted air to his performances. To these Lloyd would add some of his own improvisations back at the warehouse.