The enigma of arrival: a novel - By V. S. Naipaul Page 0,50

this valley and in the grounds of the manor where my cottage was. In that unlikely setting, in the ancient heart of England, a place where I was truly an alien, I found I was given a second chance, a new life, richer and fuller than any I had had anywhere else. And in that place, where at the beginning I had looked only for remoteness and a place to hide, I did some of my best work. I traveled; I wrote. I ventured out, brought back experiences to my cottage; and wrote. The years passed. I healed. The life around me changed. I changed.

And then one afternoon came that choking fit as I was walking past Jack’s old cottage—Jack himself long dead. A few hours later came the serious illness which that choking fit had presaged. And when after some months I recovered, I found myself a middle-aged man. Work became harder for me. I discovered in myself an unwillingness to undertake new labor; I wished to be free of labor.

And whereas when I came to the valley my dream was the dream provoked by fatigue and unhappiness—the dream of the exploding head, the certainty of death—now it was the idea of death itself that came to me in my sleep. Death not as a tableau or a story, as in the earlier dream; but death, the end of things, as a gloom that got at a man, sought out his heart, when he was at his weakest, while he slept. This idea of death, death the nullifier of human life and endeavor, to which morning after morning I awakened, so enervated me that it sometimes took me all day, all the hours of daylight, to see the world as real again, to become a man again, a doer.

The dream of exhaustion once; now the debilitation brought on by involuntary thoughts of the final emptiness. This too was something that happened to the man who went walking, witness of people and events in the valley.

It was as though the calling, the writer’s vocation, was one that could never offer me anything but momentary fulfillment. So that again, years after I had seen the Chirico picture and the idea for the story had come to me, again, in my own life, was another version of the story of The Enigma of Arrival.

AND INDEED there had been a journey long before—the journey that had seeded all the others, and had indirectly fed that fantasy of the classical world. There had been a journey; and a ship.

This journey began some days before my eighteenth birthday. It was the journey which—for a year—I feared I would never be allowed to make. So that even before the journey I lived with anxiety about it. It was the journey that took me from my island, Trinidad, off the northern coast of Venezuela, to England.

There had, first, been an airplane, a small one of the period, narrow, with a narrow aisle, and flying low. This had given me my first revelation: the landscape of my childhood seen from the air, and from not too high up. At ground level so poor to me, so messy, so full of huts and gutters and bare front yards and straggly hibiscus hedges and shabby backyards: views from the roadside. From the air, though, a landscape of logic and larger pattern; the straight lines and regularity and woven, carpetlike texture of sugarcane fields, so extensive from up there, leaving so little room for people, except at the very edges; the large, unknown area of swampland, curiously still, the clumps of mangrove and brilliant-green swamp trees casting black shadows on the milky-green water; the forested peaks and dips and valleys of the mountain range; a landscape of clear pattern and contours, absorbing all the roadside messiness, a pattern of dark green and dark brown, like camouflage, like a landscape in a book, like the landscape of a real country. So that at the moment of takeoff almost, the moment of departure, the landscape of my childhood was like something which I had missed, something I had never seen.

Minutes later, the sea. It was wrinkled, as in the fragment of the poem by Tennyson. It glinted in the sun; it was gray and silver rather than blue; and, again as in the fragment by Tennyson, it did crawl. So that again the world in which I had lived all my life so far was a world I had never seen.

And then the

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