To the End of the Land - By David Grossman Page 0,279

all, moves a whole hairsbreadth away from her. She feels it, and she knew it would happen: he seals himself off with that same quick shift of the soul that she knows from Ilan and Adam, from all her men, who time after time have slammed their doors shut in the face of her brimming, leaving her tenderness fluttering outside, faltering, turning instantly into a caricature.

But she will not allow the hurt to bubble up. Not now. And here comes Ilan from his study, taking his glasses off, and he hugs Ofer warmly, measuredly. He is careful with him. Cheek touches cheek. “Stop getting taller already,” he scolds. Ofer lets out a tired, pale laugh. Ilan and Ora move around him with a mixture of happiness and caution. “So what’s new in the trenches?” “Nothing really, how are things at home?” “Not bad, you’ll find out everything soon enough.” “Why, did something happen?” “No, what could happen? Everything’s just like it was when you left.” “Do you want to take a shower first?” “No, later.”

He finds it difficult even to let go of the stinking uniform and the dirt that has stuck to his flesh and that, Ora guesses, protects him a little. Three weeks in the field, on patrols, fixing tanks, checkpoints, ambushes. He has a strong odor. His fingers are rough and full of cuts. His fingernails are black. His lips look as if they are constantly bleeding. His gaze is distracted and vacant. She sees the house through his eyes. The cleanliness, the symmetry of the rugs and the pictures and the little knickknacks. He seems to find it hard to believe that such refinement exists in the world. The softness is almost unbearable to him. When she looks at Ilan, she feels clearly how he sees himself now in Ofer’s eyes, all nonchalant citizenry, demilitarized, almost criminal. Ilan crosses his arms over his chest, juts his chin out slightly, and murmurs to himself in a deep voice.

Ofer sits down at the kitchen table and holds his head in his hands. His eyes almost close. Gradually, a casual conversation begins to hum among the three of them, crumbs of speech that no one listens to, whose purpose is only to give Ofer a few minutes to adapt, to connect the world he has come from with this world, or perhaps, she thinks, to detach them from one another.

She knows—she explains to Avram—that she and Ilan cannot even guess the effort it takes to erase, or at least to suspend, his other world so that he can come into the house without getting burned in the transition. The thought must pass through Ilan’s mind at that moment too, and they glance at each other. Their faces are still full of joy, but somewhere deep in their eyes, they avoid each other like accomplices to a crime.

Suddenly Ofer gets up and stands there rubbing his shaved head vigorously. He slowly moves between the kitchen and the dining area, back and forth, back and forth. Ilan and Ora watch him with sidelong looks; he isn’t here, that’s obvious. He’s walking a different track, one that is imprinted in his mind. They concentrate on slicing bread and frying food. Ilan turns the radio on loud, and the sounds of the midday news program pour into the room. Ofer revives immediately and sits back down at the table as though he had never gotten up. A young soldier from the Jalameh checkpoint is telling the interviewer how she caught a seventeen-year-old Palestinian boy that morning trying to smuggle explosives through in his pants. She giggles that today happens to be her birthday. She’s nineteen. “Happy birthday,” says the interviewer. “Cool!” the soldier laughs. “I couldn’t have thought of a better birthday present.”

Ofer listens. Jalameh is no longer in his sector. He served there about eighteen months ago. It could have been him who had found the explosives. Or not found them. After all, that’s his job, to stand there so the terrorist blows himself up on him and not on civilians. Ora’s breath is short. She feels something approaching. She recites to herself the names of the checkpoints and posts where he’s served. Hizmeh and Halhul and Al Jab’ah, those ugly names. And all that Arabic, she thinks as she pads from one foot to the other, with the gurgles and grunts and yammers. Why were Ilan and Avram so into it in high school and the army? She riles herself up