The Early Asimov Volume 3 - By Isaac Asimov Page 0,2

apartment costing $42.50 a month and dinner for two at a restaurant coming to two dollars (including tip).

It wasn't the height of my dreams, but it was only a temporary war job, after all. Once the war was over, I would go back to my research and get my Ph.D. and a better job. Meanwhile, even a salary of $2,600 a year seemed to make it unnecessary for me to write. By my marriage day, I had written forty-two stories, of which twenty-eight had been sold (and three more were yet to sell). My total bachelor earnings over a space of four years had been $1,788.50 for those twenty-eight stories. This amounted to an average earning of just under $8.60 per week or $64 per story.

I never dreamed at that time that I could ever do much better. I had no intention of ever writing anything but science fiction or fantasy for the pulp magazines, which paid one cent a word at most - a cent and a quarter with bonus.

To make even the feeble fifty dollars a week that my job paid me would make it necessary for me to write and sell some forty stories a year, and, at that time, that didn't seem conceivable to me.

It had been all right to labor at the typewriter to pay my way through school, when I had no other source of income, but for what purpose ought I to be writing now? And with a six-day, fifty-four hour week, and the excitement of a new marriage, who had time?

The very existence of science fiction seemed to fade. I had left my magazine collection in New York; I no longer saw Campbell regularly, or Pohl, or any of my science fiction cronies. I scarcely even read the current magazines as they came out.

I might have let science fiction die altogether, and my writing career with it, except that there were little reminders from the outside world, and little itchings inside me that meant (though-I didn't know it at the time) that writing was a great deal more to me than just a handy device to make a little spare cash.

I had hardly begun to work at the N.A.E.S., for instance, when the June 1942 issue of Astounding came out with my story 'Bridle and Saddle.' And it made the cover.

It was quite beyond my power to resist the temptation to take a copy to work and show it around. I couldn't help but feel the status I gained as a 'writer.' Later that summer and fall, three other stories were published: 'Victory Unintentional' and 'The Imaginary' in the post-Pohl Super Science Stories and 'The Hazing' in Thrilling Wonder Stories. Each kept the science fiction world alive for me.

And although my New York coterie of science fiction editors, writers and readers were gone, I was left not entirely bereft.

Working with me at the N.A.E.S. were Robert Heinlein and L. Sprague de Camp, and I kept up a close social relationship with both. To be sure, each had quit writing for the duration but they were far more successful writers than I was and I hero-worshipped them. In addition, John D. Clark, who was an ardent science fiction fan and who had written and published a couple of stories in 1937, was living in Philadelphia at the time and we frequently saw one another. All three kept the science fiction atmosphere about me.

It was on January 5, 1943, though, that the real trigger came. On that day I received a letter from Fred Pohl to the effect that he was planning to rewrite 'Legal Rites' and was going to try to sell it again. That was exciting. He wasn't to succeed in selling the story for six more years, but of course I had no way of telling that. To me it seemed that another sale was in the offing and that I was an as-yet-active writer.

Besides, 'Legal Rites' was a fantasy and I had never yet satisfied that long-standing desire to write and sell a fantasy to Unknown. Five times I had tried, and five times I had failed.

On January 13, quite suddenly, a week after the letter had come and fourteen months after my last-written story, the urge overwhelmed me. I sat down to write a fantasy called 'Author! Author!'

Quickly I found there was something lacking. It was the first time I had ever tried to write something for Campbell without conferences with him. I missed the inspiration that invariably came

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