my side, forcing the air from my lungs. I gasp and cough and claw at the back of my head. Someone grabs a handful of my hair and slams my head against something hard. A scream of pain bursts from my mouth, and I feel dizzy.
Clumsily, I fumble along the side of my head to find the edge of the blindfold. I drag my heavy hand up, taking the blindfold with it, and blink. The scene before me is sideways and bobs up and down. I see someone running toward us and someone running away—someone large, Al. I grab the railing next to me and haul myself to my feet.
Peter wraps a hand around my throat and lifts me up, his thumb wedged under my chin. His hair, which is usually shiny and smooth, is tousled and sticks to his forehead. His pale face is contorted and his teeth are gritted, and he holds me over the chasm as spots appear on the edges of my vision, crowding around his face, green and pink and blue. He says nothing. I try to kick him, but my legs are too short. My lungs scream for air.
I hear a shout, and he releases me.
I stretch out my arms as I fall, gasping, and my armpits slam into the railing. I hook my elbows over it and groan. Mist touches my ankles. The world dips and sways around me, and someone is on the Pit floor—Drew—screaming. I hear thumps. Kicks. Groans.
I blink a few times and focus as hard as I can on the only face I can see. It is contorted with anger. His eyes are dark blue.
“Four,” I croak.
I close my eyes, and hands wrap around my arms, right where they join with the shoulder. He pulls me over the railing and against his chest, gathering me into his arms, easing an arm under my knees. I press my face into his shoulder, and there is a sudden, hollow silence.
CHAPTER TWENTY-TWO
I OPEN MY eyes to the words “Fear God Alone” painted on a plain white wall. I hear the sound of running water again, but this time it’s from a faucet and not from the chasm. Seconds go by before I see definite edges in my surroundings, the lines of door frame and countertop and ceiling.
The pain is a constant throb in my head and cheek and ribs. I shouldn’t move; it will make everything worse. I see a blue patchwork quilt under my head and wince as I tilt my head to see where the water sound is coming from.
Four stands in the bathroom with his hands in the sink. Blood from his knuckles turns the sink water pink. He has a cut at the corner of his mouth, but he seems otherwise unharmed. His expression is placid as he examines his cuts, turns off the water, and dries his hands with a towel.
I have only one memory of getting here, and even that is just a single image: black ink curling around the side of a neck, the corner of a tattoo, and the gentle sway that could only mean he was carrying me.
He turns off the bathroom light and gets an ice pack from the refrigerator in the corner of the room. As he walks toward me, I consider closing my eyes and pretending to be asleep, but then our eyes meet and it’s too late.
“Your hands,” I croak.
“My hands are none of your concern,” he replies. He rests his knee on the mattress and leans over me, slipping the ice pack under my head. Before he pulls away, I reach out to touch the cut on the side of his lip but stop when I realize what I am about to do, my hand hovering.
What do you have to lose? I ask myself. I touch my fingertips lightly to his mouth.
“Tris,” he says, speaking against my fingers, “I’m all right.”
“Why were you there?” I ask, letting my hand drop.
“I was coming back from the control room. I heard a scream.”
“What did you do to them?” I say.
“I deposited Drew at the infirmary a half hour ago,” he says. “Peter and Al ran. Drew claimed they were just trying to scare you. At least, I think that’s what he was trying to say.”
“He’s in bad shape?”
“He’ll live,” he replies. He adds bitterly, “In what condition, I can’t say.”
It isn’t right to wish pain on other people just because they hurt me first. But white-hot triumph races through me