Then he releases me and I have to lean against the wall for support. With no more warning than the tightening of his muscles, Tobias lunges across the desk and wraps his hands around Jeanine’s throat. Dauntless guards by the door leap at him, their guns held ready, and I scream.
It takes two Dauntless soldiers to pull Tobias away from Jeanine and shove him to the ground. One of the soldiers pins him, his knees on Tobias’s shoulders and his hands on Tobias’s head, pressing his face to the carpet. I lunge toward them, but another guard slams his hands against my shoulders, forcing me against the wall. I am weak from blood loss and too small.
Jeanine braces herself against the desk, spluttering and gasping. She rubs her throat, which is bright red with Tobias’s fingerprints. No matter how mechanical she seems, she’s still human; there are tears in her eyes as she takes a box from her desk drawer and opens it, revealing a needle and syringe.
Still breathing heavily, she carries it toward Tobias. Tobias grits his teeth and elbows one of the guards in the face. The guard slams the heel of his gun into the side of Tobias’s head, and Jeanine sticks the needle into Tobias’s neck. He goes limp.
A sound escapes my mouth, not a sob or a scream, but a croaking, scraping moan that sounds detached, like it is coming from someone else.
“Let him up,” says Jeanine, her voice scratchy.
The guard gets up, and so does Tobias. He does not look like the sleepwalking Dauntless soldiers; his eyes are alert. He looks around for a few seconds as if confused by what he sees.
“Tobias,” I say. “Tobias!”
“He doesn’t know you,” says Jeanine.
Tobias looks over his shoulder. His eyes narrow and he starts toward me, fast. Before the guards can stop him, he closes a hand around my throat, squeezing my trachea with his fingertips. I choke, my face hot with blood.
“The simulation manipulates him,” says Jeanine. I can barely hear her over the pounding in my ears. “By altering what he sees—making him confuse enemy with friend.”
One of the guards pulls Tobias off me. I gasp, drawing a rattling breath into my lungs.
He is gone. Controlled by the simulation, he will now murder the people he called innocent not three minutes ago. Jeanine killing him would have hurt less than this.
“The advantage to this version of the simulation,” she says, her eyes alight, “is that he can act independently, and is therefore far more effective than a mindless soldier.” She looks at the guards who hold Tobias back. He struggles against them, his muscles taut, his eyes focused on me, but not seeing me, not seeing me the way they used to. “Send him to the control room. We’ll want a sentient being there to monitor things and, as I understand it, he used to work there.”
Jeanine presses her palms together in front of her. “And take her to room B13,” she says. She flaps her hand to dismiss me. That flapping hand commands my execution, but to her it is just crossing off an item from a list of tasks, the only logical progression of the particular path that she is on. She surveys me without feeling as two Dauntless soldiers pull me out of the room.
They drag me down the hallway. I feel numb inside, but outside I am a screaming, thrashing force of will. I bite a hand that belongs to the Dauntless man on my right and smile as I taste blood. Then he hits me, and there is nothing.
CHAPTER THIRTY-FIVE
I WAKE IN the dark, wedged in a hard corner. The floor beneath me is smooth and cold. I touch my throbbing head and liquid slips across my fingertips. Red—blood. When I bring my hand back down, my elbow hits a wall. Where am I?
A light flickers above me. The bulb is blue and dim when it’s lit. I see the walls of a tank around me, and my shadowed reflection across from me. The room is small, with concrete walls and no windows, and I am alone in it. Well, almost—a small video camera is attached to one of the concrete walls.
I see a small opening near my feet. Connected to it is a tube, and connected to the tube, in the corner of the room, is a huge tank.
The trembling starts in my fingertips and spreads up my arms, and soon my body is shuddering.