the laughter that oppresses me as much as the heat. My arms twitch, and I want to fight against the ropes, but I won’t, I won’t struggle pointlessly, I won’t panic.
I stare through the flames at Peter, the heat bringing blood to the surface of my skin, flowing through me, melting the toes of my shoes.
“I smell rain,” I say.
Thunder roars above my head, and I scream as a flame touches my fingertips and pain shrieks over my skin. I tilt my head back and focus on the clouds gathering above my head, heavy with rain, dark with rain. A line of lightning sprawls over the sky and I feel the first drop on my forehead. Faster, faster! The drop rolls down the side of my nose, and the second drop hits my shoulder, so big it feels like it’s made of ice or rock instead of water.
Sheets of rain fall around me, and I hear sizzling over the laughter. I smile, relieved, as the rain puts out the fire and soothes the burns on my hands. The ropes fall away, and I push my hands through my hair.
I wish I was like Tobias and had only four fears to face, but I am not that fearless.
I smooth my shirt down, and when I look up, I stand in my bedroom in the Abnegation sector of the city. I have never faced this fear before. The lights are off, but the room is lit by the moonlight coming through the windows. One of my walls is covered with mirrors. I turn toward it, confused. That isn’t right. I am not allowed to have mirrors.
I look at the reflection in the mirror: my wide eyes, the bed with the gray sheets pulled taut, the dresser that holds my clothes, the bookcase, the bare walls. My eyes skip to the window behind me.
And to the man standing just outside.
Cold drops down my spine like a bead of sweat, and my body goes rigid. I recognize him. He is the man with the scarred face from the aptitude test. He wears black and he stands still as a statue. I blink, and two men appear at his left and right, just as still as he is, but their faces are featureless—skin-covered skulls.
I whip my body around, and they stand in my room. I press my shoulders to the mirror.
For a moment, the room is silent, and then fists pound against my window, not just two or four or six, but dozens of fists with dozens of fingers, slamming into the glass. The noise vibrates in my rib cage, it is so loud, and then the scarred man and his two companions begin to walk with slow, careful movements toward me.
They are here to take me, like Peter and Drew and Al; to kill me. I know it.
Simulation. This is a simulation. My heart hammering in my chest, I press my palm to the glass behind me and slide it to the left. It is not a mirror but a closet door. I tell myself where the weapon will be. It will be hanging against the right wall, just inches away from my hand. I don’t shift my eyes from the scarred man, but I find the gun with my fingertips and wrap my hand around the handle.
I bite my lip and fire at the scarred man. I don’t wait to see if the bullet hits him—I aim at each featureless man in turn, as fast as I can. My lip aches from biting it so hard. The pounding on the window stops, but a screeching sound replaces it, and the fists turn into hands with bent fingers, scratching at the glass, fighting to get in. The glass creaks under the pressure of their hands, and then cracks, and then shatters.
I scream.
I don’t have enough bullets in my gun.
Pale bodies—human bodies, but mangled, arms bent at odd angles, too-wide mouths with needle teeth, empty eye sockets—topple into my bedroom, one after the other, and scramble to their feet, scramble toward me. I pull back into the closet and shut the door in front of me. A solution. I need a solution. I sink into a crouch and press the side of the gun to my head. I can’t fight them off. I can’t fight them off, so I have to calm down. The fear landscape will register my slowing heartbeat and my even breath and it will move on to the next obstacle.