Destiny of the Republic - By Candice Millard Page 0,2

a free moment at the Capitol. The New England Journal of Education had published the proof just the month before, transparently astonished that a member of Congress had written it.

Despite Garfield’s deep admiration for mathematics and the arts, however, he believed that it was science, above all other disciplines, that had achieved the greatest good. “The scientific spirit has cast out the Demons and presented us with Nature, clothed in her right mind and living under the reign of law,” he wrote. “It has given us for the sorceries of the Alchemist, the beautiful laws of chemistry; for the dreams of the Astrologer, the sublime truths of astronomy; for the wild visions of Cosmogony, the monumental records of geology; for the anarchy of Diabolism, the laws of God.”

After his first day at the exposition, back in the Philadelphia home he and his family had rented, Garfield sat down to write in his diary, just as he had done nearly every night of his life for the past twenty-eight years. With characteristic seriousness of purpose, he wrote that the fair would be a “great success in the way of education.” In Garfield’s experience, education was salvation. It had freed him from grinding poverty. It had shaped his mind, forged paths, created opportunities where once there had been none. Education, he knew, led to progress, and progress was his country’s only hope of escaping its own painful past.

In 1876, the United States, still reeling from a devastating civil war and its first presidential assassination, was far from the country it hoped to become, and faced daily reminders of the hard challenges that still lay ahead. While men like Garfield strolled the aisles of Machinery Hall in Philadelphia, marveling at the greatest inventions of the industrial age, George Armstrong Custer and his entire regiment were being slaughtered in Montana by the Northern Plains Indians they had tried to force back onto reservations. As fairgoers stared in amazement at Remington’s typewriter and Thomas Edison’s automatic telegraph system, Wild Bill Hickok was shot to death in a saloon in Deadwood, leaving outlaws like Jesse James and Billy the Kid to terrorize the West. As middle-class families waited patiently in line for their chance to marvel at the Statue of Liberty’s hand, freed slaves throughout the country still faced each day in fear and abject poverty.

So incomplete and uncertain was the United States that, although it was a hundred years old, it did not yet have a national anthem. At the opening ceremony, the exposition’s hundred-piece orchestra, with a chorus of a thousand voices, dutifully performed the anthems of the forty-nine other countries participating in the fair. Only the host country had no official song with which to honor its people, and would not for another fifty-five years. With eight untamed territories and eleven states that still seethed with hatred and resentment and dreamed of secession, a national anthem seemed premature, even presumptuous.

Garfield understood as well as any man what the Civil War had accomplished, and what it had left undone. When he was still a very young man, he had hidden a runaway slave. As commander of a small regiment from Ohio, he had driven a larger Confederate force out of eastern Kentucky, helping to save for the Union a critically strategic state. In Congress, he fought for equal rights for freed slaves. He argued for a resolution that ended the practice of requiring blacks to carry a pass in the nation’s capital, and he delivered a passionate speech for black suffrage. Is freedom “the bare privilege of not being chained?” he asked. “If this is all, then freedom is a bitter mockery, a cruel delusion, and it may well be questioned whether slavery were not better. Let us not commit ourselves to the absurd and senseless dogma that the color of the skin shall be the basis of suffrage, the talisman of liberty.”

Garfield knew, however, that there was some suffering that no one could prevent, and whose reach no one was beyond. Throughout the centennial fair—in hall after hall, exhibit after exhibit—this suffering was unflinchingly apparent. There were rows of coffins of every variety. There were, in the words of one reporter, “instruments for the curing of diseased and deformed bodies and limbs.” An entire exhibit was devoted to a scene of a mother huddled over a crib, crying over the child she had just lost.

Nearly every family Garfield knew had suffered the death of a child, and his own family was no exception.