The Death of Vivek Oji - Akwaeke Emezi Page 0,2

any of his family. Fresh starts were good; that separateness was where you could feel yourself, where you could learn who you were apart from everyone else.

Picture: the young couple in the back garden after dinner, walking along a line of bare rosebushes, Kavita running her fingers gently over the branches.

“I can’t wait for these to bloom,” she said. “I used to hate the smell of roses back when we lived in Delhi, but my uncle loves them, and now—it’s strange—all they do is remind me of home.”

Picture: Chika’s hand covering hers, serrated leaves crushed under their palms, a quiet kiss where their breaths tangle.

* * *

Afterward, Chika went to the village and told his mother about Kavita. “I want you to meet her,” he said, avoiding her eyes. Ahunna watched him, his bent shoulders, the way he kept taking his hands out of his pockets and putting them back in. Children never really change, she thought, no matter how much they grow up.

“Bring the girl,” Ahunna said. “Nsogbu adịghị.” She went back to peeling yam, sitting on a low stool in front of the basin holding the tubers, throwing the rind out into the backyard for her goats. Chika stood above her, a dazed smile spreading across his face.

“Yes, Ma,” he eventually said. “Daalụ.”

It was only then he finally felt ready to visit Owerri, to share the news with Mary and Ekene, now that he could go to their house with a clean conscience. He and Mary never spoke of what had happened, that moment of misplaced desire in a sweltering kitchen.

Three months later, Chika proposed to Kavita in the rose garden at her uncle’s house. By then, pink and red blooms filled out the branches and the air was thick with scent. Kavita smiled, blinking back tears as she threw her arms around his clay neck and kissed him yes. A few days later, the families started arguing about the dowry. Chika tried to explain to Dr. Khatri that it was the husband’s family who paid the brideprice, but the old doctor was enraged by the very idea. “We came all the way from India with Kavita’s dowry! It is her inheritance. I cannot let her go without it as if she’s worth nothing to us!”

“And I cannot accept a brideprice from my wife’s father!”

Hearing that word—father—Dr. Khatri teared up, and their argument hiccupped. “She is truly a daughter to me,” he said, his voice thick.

Ahunna rolled her eyes and stepped in. “You men like shouting too much. Just let the dowries cancel each other, and no one pays anything.” Dr. Khatri drew in breath to protest, but she held up a hand. “You can keep Kavita’s dowry for her children. I don’t want to hear pim about this again.”

So that was that. Kavita’s dowry was a small collection of heavy gold jewelry that her mother had brought into her own marriage, passed down through the women before her.

Picture: Chika with Kavita in their bedroom, newlywed, the heavy necklaces and bangles pouring over his hands. “I don’t even know what to say. It’s like the treasure you read about in books.”

Kavita took them from him and returned them to their box. “For our children,” she reminded him, not knowing there would only be one. “Let’s just forget it’s even here.”

Most of the jewelry stayed in that box for the next two decades, nestled against the deep red velvet, gemstones and gold links gleaming in the dark. There were times when Chika and Kavita sold one small piece or another, when things were difficult, but they held on to most of it, planning to use it to send their son, Vivek, to America. But when the jewelry finally came out of the box, it was Vivek’s hands that lifted it.

Picture: the boy, shirtless, placing necklaces against his chest, draping them over his silver chain, clipping his ears with gold earrings, his hair tumbling over his shoulders. He looks like a bride, half naked, partially undressed.

There is another boy in this picture now. His name is Osita. He is as tall as Vivek, but broader at the shoulders, his skin like deep loam. He is Ekene’s son, born of Mary, and his eyes are narrow, his mouth full beyond belief. In this picture, Osita’s face is carved and dark with alarm. He stands with his arms folded, his jaw set against something he cannot predict.

Vivek smiles at his cousin with gold droplets falling into his eyebrows. “Bhai,” he says,

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