public having heard it only twice. She still dreams of becoming a pop star, and of travelling the country singing ballads in satin ball gowns. Before she married, she and six friends from Nuwa Village formed a group called the Nuwa International Arts Troupe, and toured local coal mines and rural markets, performing pop songs and belly dances. But she quit after a week when the manager of one village hall told her that unless the girls danced naked on the stage, no one would pay money for tickets. She’s always believed that women should be respectable and modest. Since marrying Kongzi, she has dedicated herself to their family and endured their poverty without complaint. But she feels now that the time has come to pull herself together, find a job and start earning some money. Even if they never manage to live in a city, she must at least make sure that they can build themselves a new house back in Kong Village equipped with all the latest electronic appliances.
She walks back past the five-storey block from which the construction worker is still threatening to jump. The crowd has swollen. A man who’s set up a makeshift stall shouts through a megaphone: ‘For the best viewing experience, buy one of my telescopes and folding stools!’ People impatient to get to work cry out: ‘Hurry up and jump, will you? We can’t wait around all day.’ Without glancing up, Meili pushes her way through the crowd, managing to reach the covered market with the two remaining dough sticks intact. The smell of scorched poultry in the air is familiar to her. Since she got married, she has always been the one to slaughter the chickens, pluck them, then scorch the soft down from their skin. Glancing around at the busy stalls of the market, she thinks to herself, perhaps I could set up business here too. At least it’s sheltered from the elements.
She turns to a stallholder and asks, ‘How much are the ducks today, sister?’
‘Three yuan a jin, and an extra yuan if you want it killed, plucked and gutted.’
‘I can pluck. Are you looking for assistants?’ Meili’s already contemplating selling their flock of ducks to raise money to rent a space and buy stock.
‘No, that guy over there is, though,’ the stallholder replies, raising her eyebrows in the direction of a tall skinny man who’s standing beside a fish stall.
Meili approaches him and asks for a job. He fixes his large, protruding eyes on her and says: ‘I need someone who can gut and scale. I pay one jiao a fish. If you want to see how it’s done, sit here and watch.’
Meili pulls over a wooden crate, sits down on it, and sees on the wall opposite her a notice that says: MILK POWDER WARNING ISSUED BY THE MUNICIPAL HYGIENE DEPARTMENT. TO SAFEGUARD INFANT HEALTH AND PREVENT DAMAGE TO THE WIDER POPULATION, A BAN HAS BEEN PLACED ON INFERIOR-QUALITY MILK POWDER . . . She remembers Kongzi mentioning that he delivered a cargo of counterfeit milk powder to some businessman who’d bought them wholesale for three yuan a bag and was planning to sell them on the streets at triple the price. At the time, she reasoned with herself that whether the powder was fake or genuine, it would at least provide more nourishment than the rice gruel most peasant women feed their babies. Infant formula is always in demand. She is sure that if she opened a stall selling baby products in this market she could make a good profit.
After watching the fishmonger gut and scale for several hours, Meili realises that Kongzi must be hungry for the dough stick and is probably wondering what has taken her so long. She goes out into the sunlight and runs downhill. The June sun is scorching the dust on the pavement and the clumps of withered weeds growing along the kerbs. A hot wind chases her all the way to the river. She wades into the water, panting for breath, and scans the distant sand island, but sees no sign of Kongzi or their boat. Then, turning to her right, she spots their boat emerge from a huddle of rafts tethered to the jetty. The rooster stretches its head out of the cage and stares at her. Wiping the sweat from her face, she waves to Kongzi who’s standing behind the wheel wearing a vest and shorts and muddy flip-flops.