doctor and the beautiful nurse must smell it. The nurse, washing the arm with a warm cloth, said, “How’s that feel?” and Audrey looked into her dark eyes and smiled and nodded but could not answer.
The doctor took the arm in his hands again and felt along the bone with his fingers and thumbs.
“Does it still work?” he said, and she made a fist and opened it and rolled her wrist around until it popped deeply.
“Works jim-dandy. Thank you.”
“You’ll have to take it easy with that arm for another six weeks. No push-ups. No heavy lifting. No karate chops.”
She looked at him.
“Joking,” he said. He picked up the split purple shell and showed it to her. “Memento?”
She wanted with all her heart to never see it again, to watch him drop it into the trash, but she’d promised the county attorney she’d keep it; they would put it back together again for the trial, with duct tape maybe, so she could show the judge and jury.
And if you were not facing him at that moment, Miss Sutter, then how did you strike him?
Like so.
“Do you have a bag I can put it in?” she asked the doctor, and he handed the two pieces to the beautiful nurse.
And why did you strike the deputy, Miss Sutter?
Because he was trying to drown me.
Was he?
Yes.
And how did you know that, Miss Sutter? Miss Sutter . . . ?
The beautiful nurse was looking at her, holding the purple cast.
“Sorry?” said Audrey.
The nurse laughed and said in that voice of islands and waves, “I asked did you want that gift-wrapped too, baby?”
65
The weather had turned and the snow was dropping from the pines in heavy clumps, and when the sun hit the boughs you could smell the pine like you’d been sawing into it. By the middle of March the house was sold, and a week later it was empty and clean, and on that Saturday afternoon Gordon backed his van into the driveway and they loaded up the few remaining things she wanted to keep for herself—her own things and some of her father’s, such as his sheriff’s jacket and hat, his old rod and fly reel that had been his grandfather’s, the supposedly antique bass bookends she’d given him, and also certain precious things of her mother’s he’d kept for her—they loaded it all into the van and the car and then she stood on the porch for the last time, looking out over the cul-de-sac as her father had done so many mornings, smoking his first cigarette of the day. Finally she got into the sedan and backed out of the drive and waved good-bye to Mr. Larkin, who stood in his driveway watching them go and who was standing there still when they turned the corner and passed out of sight.
Meltwater ran across the roads in streams and hissed under the tires and you could put the window down and smell the earth and you knew the winter wasn’t forever after all and the land would be green again, the river would flow again, and from the bridges you could see the slabs of ice jutting into the air, and if you pulled over and stood on the bank you could see the slabs moving and grinding against each other like icebergs, like ships, all in a tight puzzle-work of pieces and all of it moving together foot by foot downriver, cracking and popping and grinding as the river below swelled with the thaw and pushed and surged and would not be stopped.
He pulled into the lot and cut the engine and they both got out and stood in the sun, breathing the air.
“Ready?” she said, and he nodded.
“Ready.”
The graves were in the old part of the cemetery with all the old graves, including the graves of her grandparents on her mother’s side. Her father was from Illinois and had met her mother there, in college, and they’d come back here together so she could be close to her family. By the time Audrey was seven he was county sheriff and her mother, a high school counselor, was dying.
The snow over the plot had melted away into the dirt, and in a few weeks the caretakers would lay down the sod; that was part of the deal and she didn’t have to worry about that.
She took off the aviators and put them away, then stood reading her parents’ names on the stone, their dates. The inscription: