Cradle - By Arthur C. Clarke Page 0,122

right in front of her. Drawing her breath slowly and struggling to conquer her fear, Carol moved forward in the dark. After about twenty more feet she came upon a low door that opened to the right. She bent down slightly and peered in. In the dusky light she saw unusual shapes and structures in another small room with walls made of the now familiar curved and colored panels. She crawled through the doorway and stood up.

Soft local lights located in a few of the wall panels came on as soon as Carol's feet contacted the floor in the room. Her arrival also triggered two or three notes from some kind of musical instrument. It sounded like an organ and was apparently way off in the distance in another part of the cathedral area enclosed by the vast arched ceilings that were again above her. She stopped, surprised. She stood still for several seconds. Then, without moving, Carol carefully surveyed her new surroundings.

In this room the wall panels were very bright, alternating between purple and gold, and they were extremely curved. Along with Carol in the room there were three objects of unknown purpose. One looked like a writing table, a second like a long, low bench that was wide at one end and tapered to a point at the other, and the third resembled a very tall telephone pole whose top and bottom were connected by sixteen thin strings stretched out and around a broad ring about one third of the way down the pole.

Carol could walk between the thin strings. The ring, made out of a gold metallic material, was a couple of feet above her head, almost at the level of the top of the wall panels. She grabbed one of the strings and felt it vibrate. It made a muffled, flat sound. She backed away from the string and tried to pluck it. A note sounded, very lyrical, like a heavy harp. Carol realized she was standing inside a musical instrument. But how to play it? She spent a few minutes wandering around the room, trying without success to find the equivalent of a bow. She knew it would be impossible to play the harp if she had to run around and pluck each individual string herself.

She walked over to the writing table. She quickly figured out that it was also a musical instrument. It looked much more promising. There were indentations in the table, sixty-four altogether, set up in eight rows and eight columns. Pressing each key produced a different sound. Although Carol had taken five years of piano lessons as a small child, it was a difficult chore, at first, for her even to play 'Silent Night' on the strange writing table. She had to correlate the sounds made by pressing the individual keys with the notes and chords that she remembered from her childhood. While she was teaching herself to play the instrument, she stopped often to listen to the delicate, crystal sound that it made. It reminded her mostly of a xylophone.

Carol stood at the table for several minutes. Eventually she played an entire verse of 'Silent Night' without making a single mistake. Carol smiled, pleased with herself, and relaxed momentarily. During this interlude the great organ in the distance (which she had heard briefly when she had entered the room and could now pinpoint as being somewhere in the upper reaches of the cathedral area) suddenly began to play. Carol felt goose bumps rise on her arms, partially due to the beauty of the music and partially because it reminded her again of what a bizarre world she had entered. What is that organ playing? she thought to herself. It sounds like an overture. She listened for a few seconds. Why ... that's an introduction. To 'Silent Night'! It's very creative.

The organ sound was joined by several others, each emanating from somewhere in the ceiling. All the instruments together played a complex version of the 'Silent Night' that Carol had so painstakingly pounded out on the writing table a few moments before. The beautiful music swelled throughout the cathedral. Carol looked up and then closed her eyes. She spun her body around and around in a little dance. When she opened her eyes again, each of them confronted what appeared to be a tiny optical instrument no more than an inch away. Carol froze in terror.

The thing had noiselessly come up behind her while she was playing music at the writing

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