A Constellation of Vital Phenomena - By Anthony Marra Page 0,58
occasionally hear the overdue explosions, the shrapnel ringing within the ceramic, but those bowls, the one decent legacy of the Soviet Union, never broke.
In the afternoon, she and her parents went to the clinic. Akhmed wouldn’t meet their eyes when they entered his office. The blood-hardened tarpaulin lay on the floor, and in its red desert Havaa remembered streams. Akhmed slouched forward, his head propped against the desk by his pencil.
“I can’t remember their faces,” he muttered.
“Whose?” her father asked.
“I promised I would draw them, but I can’t remember anymore.”
“You should sleep,” her father said, and beside him, her mother gazed at Akhmed with an expression of concern Havaa would only later recall.
When Akhmed woke, he kept his promise. He mounted blank pages on plywood boards, and over the next ten days drew forty-one meter-tall portraits. He used ink and charcoal, the cinders of burnt houses; there was a word for it, when artists used parts of the subject to recreate the subject, an -ism only Dokka would know. The portraits were larger and more detailed than anything he’d ever drawn. Eyelashes five pen strokes thick. Pupils the size of plum pits. When finished, he brushed the portraits with weatherproof finish and left them to dry overnight. By morning they shone like the lacquer of Dokka’s chessboard. One at a time, he carried them to the street. Some he mounted within the doorless frames of abandoned public buildings; others he fixed into the walls of private homes, or hung over broken windows, or strung from empty planters, or raised to the top of flagpoles, or nailed to lampposts, tree trunks, or fences. One covered the hole punched into a wall by a mortar round. Another he staked upright in the cemetery, a tombstone for a man whose family couldn’t afford one. They appeared with no commemoration louder than Akhmed’s solitary hammer rap. Sometimes weeks or months would pass before the bereaved stumbled across the face of their disappeared, and when they did they might approach in awe, or pat their breast pocket for a cigarette, or laugh as if just understanding a joke, or ignore it entirely, having grown used to hallucinating their loved ones on walls, tombstones, and clouds.
Havaa experienced the sensation only once. After the zachistka she spent all her daylight hours in the woods. The village shrank to slender stripes as she receded into the trunks, meandering back and forth, building barricades of loose sticks, helping little bugs find fresh leaves, all while measuring distance by the diminishing volume of her mother’s call. One afternoon she looked over her shoulder and froze.
A head, swollen and decapitated, hung from a tree behind her. A giant’s head, she thought, and then, two steps closer, she recognized it. Akim had survived the night but died the next morning. Akhmed said that those hours were a gift she’d given Akim, that time became more important the closer to death one was, so an extra few hours to make peace with the world were worth more than years, though how he could have made peace while screaming, she didn’t know. She stood close enough that her breath, chilled by the winter air, reached his lacquered lips. Akim once had found her talking to a pinecone and had watched, fingers barring his mouth, until snickers erupted from his nostrils. She had hated him then and still did. But standing before the portrait she felt something wrap around that hatred as a flame wraps around a candle-wick, and soon there was nothing but a burnt taste in her mouth, his solemn face staring back at her, and the awful fact that it would never laugh again. Only then did she wonder how Akhmed had known to place the portrait where only she would find it. For a few more minutes, she stared at the portrait, and said good-bye.
When she woke the following Sunday, a single question pulsated in the cold morning air. What if there was no chess match today? The biweekly matches were the last heartbeats of the society in which she so badly wanted citizenship. She lay in bed until the sun had climbed into the first pane. When her mother, Esiila, asked her to help in the kitchen, she refused to answer, and poured a stream of indecipherable half words onto her pillow. The girl always surprised her mother. During the zachistka she had hid in the woods as quiet as the stones at her feet and twice as tough, calmer