A Constellation of Vital Phenomena - By Anthony Marra Page 0,53

size of their fingers.

Others came on the weekends, strangers better dressed and rested, to see Akhmed. If they had heard rumors of the pedophile’s ghost, they left their children outside when they entered the abandoned house, arms heavy with donations of linen bandages, fishing-line sutures, dry plaster, and slings of old magazines and bandannas. In the waiting room they sat straight-backed and motionless, afraid of breathing too hard, of squeaking the sensitive folding chairs and thus breaking the solemnity the proceedings demanded. Akhmed called them, one family at a time, as if they were his patients. And he wished they were, because they treated him with greater respect than his real patients, and he could do more for them. The family, as it entered Akhmed’s office, likely knew he was the worst doctor in Chechnya. Sitting at the folding chairs before his desk, likely they knew he had followed the wrong calling. Likely they knew the worst doctor in Chechnya was its most talented portraitist.

The father might break the silence with a wet cough, and, praying that Akhmed not ask to examine his chest, describe the shape of his son’s nose. Flat and wide, he might say, as if knocked in the face with a frying pan as a child. No, no, no, the mother might deny before Akhmed’s pencil reached the paper. It is a normal nose, a shapely nose, a beautiful nose, and he was never hit with a frying pan, or a soup pot, or even a kettle; a ladle, yes, of course, that is to be expected because a mother’s kitchen is her sanctum and she must maintain order. Then in might jump a cousin, a sister, an aggrieved daughter who too clearly remembered the slap of a ladle on her outstretched palm. The conversation might never recover if Akhmed didn’t raise his finger to quiet them; he had heard these arguments before, had seen grief warp the fabric of memory such that a mother refused to recognize her son when described by the father, and the father, usually compliant to his wife’s requests, truly believed his son’s nose was so crushed he could only breathe through his mouth. He asked them to close their eyes, and hoped their mouths would follow suit. He asked them to concentrate.

Hunched over the steel-legged desk, a cup of lukewarm black tea within reach, Akhmed might think back to childhood, to the sketches of snake skeletons, knee tendons, and blood veins his father mistook for an interest in science. He might think back to medical school, when he skipped a year of pathology to audit art classes. By that point a career change was beyond consideration; he was a bottle, thrown to the sea, into which the villagers had folded their wishes, and though he was willing to give up on himself, he wasn’t willing to let down those who believed he could carry them over the water. Yet he drew still-lifes when he should have drawn diagrams, studied models when he should have studied corpses. When he graduated from medical school in the bottom tenth he didn’t know the disgrace weighing on him like a hundred rubles in five-kopek coins would one day be converted to less cumbersome denominations, when families, like this one, came, knowing he was too incompetent a doctor to save their son’s life, but so skilled and well-trained an artist he might bring their son back.

Each half minute he would slide the paper across the desk and search their faces for the pause of recognition. Yes, those are his ears, just like that. No, my wife is right, his nose isn’t so wide, and she never hit him with a frying pan. Mistakes would disappear beneath the corners of a pink eraser. That’s him, they say. He is ours.

Some portraits found their way to kiosks where they stared out at the passing refugees, searching for their reflection in the line. Others rested in more intimate spaces: set in a glass frame over an empty bed, or folded in a wallet with nothing else in it, or locked in a bureau drawer beside the birth certificate documenting the exact hour, date, and place that life had entered the world. The missing remained missing and the portraits couldn’t change that. But when Akhmed slid the finished portrait across the desk and the family saw the shape of that beloved nose, the air would flee the room, replaced by the miracle of recognition as mother, father, sister, brother,