City of Spells (Into the Crooked Place #2) - Alexandra Christo Page 0,123
are alight. The right holds the same sapphire of the Diavolos Sea I know well, but the left, a creamy yellow that barely stands out from the white, sparkles with a rare glee. If she steals a royal heart for her fifteenth, it’ll be sure to earn her clemency from my mother’s perpetual rage.
‘‘And you’ll take the prince,” says Kahlia. “The one with the pretty face.”
“His face makes no difference.” I drop her hand. “It’s his heart I’m after.”
“So many hearts.” Her voice is angelic. “You’ll soon run out of room to bury them all.”
I lick my lips. “Maybe,” I say.”But a princess must have her prince.”
2
Lira
THE SHIP FEELS ROUGH under the spines of my fingers. The wood is splintered, paint cracking and peeling over the body. It cuts the water in a way that is too jagged. Like a blunt knife, pressing and tearing until it slices through. There is rot in places and the stench makes my nose wrinkle.
It is a poor prince’s ship.
Not all royals are alike. Some are furnished in fine clothes, unbearably heavy jewels so large that they drown twice as fast. Others are sparsely dressed, with only one or two rings and bronze crowns painted gold. Not that it matters to me. A prince is a prince, after all.
Kahlia keeps to my side, and we swim with the ship while it tears through the sea. It’s a steady speed and one we easily match. This is the agonizing wait, as humans become prey. Some time passes before the prince finally steps onto the deck and casts his eye at the ocean. He can’t see us. We’re far too close and swim far too fast. Through the ship’s wake, Kahlia looks to me and her eyes beg the question. With a smile as good as any nod, Ireturn my cousin’s stare.
We emerge from the froth and part our lips.
We sing in perfect unison in the language of Midas, the most common human tongue and one each siren knows well. Not that the words matter. It’s the music that seduces them. Our voices echo into the sky and roll back through the wind. We sing as though there is an entire chorus of us, and as the haunting melody ricochets and climbs, it swirls into the hearts of the crew until finally the ship slows to a stop.
“Do you hear it, Mother?” asks the prince. His voice is high and dreamlike.
The queen stands next to him on the deck. “I don’t think . . .”
Her voice falters as the melody strokes her into submission. It’s a command, and every human has come to a stop, bodies frozen as their eyes search the seas. I set my focus on the prince and sing more softly. Within moments his eyes fall to mine.
“Gods,” he says. “It’s you.”
He smiles and from his left eye slips a single tear.
I stop singing and my voice turns to a gentle hum. “My love,” the prince says, “I’ve found you at last.”
He grips the ratlines and peers far over the edge, his chest flat against the wood, one hand reaching out to touch me. He’s dressed in a beige shirt, the strings loose at his chest, sleeves torn and slightly moth-bitten. His crown is thin gold leaf that looks as though it could break if he moves too quickly. He looks desolate and poor.
But then there is his face.
Soft and round, with skin like varnished wood and eyes a penetrating shade darker. His hair swings and coils tightly on his head, a beautiful mess of loops and spirals. Kahlia was right; he’s angelic. Magnificent, even. His heart will make a fine trophy.
“You are so beautiful,” says the queen, staring down at Kahlia with reverence. “I’m unsure how I’ve ever considered another.”
Kahlia’s smile is primordial as she reaches out to the queen, beckoning her to the ocean.
I turn back to the prince, who is frantically stretching out his hand to me. “My love,” he pleads. “Come aboard.”
I shake my head and continue to hum. The wind groans with the lullaby of my voice.
‘‘I’ll come to you then!” he shouts, as though it was ever a choice.
With a gleeful smile, he flings himself into the ocean, and with the splash of his body comes a second, which I know to be the queen, throwing herself to my cousin’s mercy. The sounds of their falls awaken something in the crew, and in an instant they are screaming.
They lean over the ship’s edge, fifty of them clinging