The Last Vampire(5)

Now my situation is more complicated than when I arrived at the detective's office. I know someone is after me, and I have destroyed my main lead to him or her. Quickly I go through Riley's desk and fail to find anything that promises to be a lead, other than Riley's home address. The reason is sitting behind the desk as I search. Riley has a computer and there is little doubt m my mind that he stored his most important records on the machine. My suspicion is further confirmed when I switch on the computer and it immediately asks for an access code. Even though I know a great deal about computers, more than most experts in the field, I doubt I can get into his data banks without outside help. I pick up the picture of father and son

again. They are posed beside a computer. Riley Junior, I suspect, must know the access code. I decide to have a talk with him.

After I dispose of his father's body. My exercise in cleanup is simplified by the fact that Riley has no carpet on his office floor. A brief search of the office building leads me to a closet filled with janitorial supplies. Mop and pail and bucket in hand, I return to Mr. Riley's office and do the job his secretary probably resented doing. I have with me—from the closet —two big green plastic bags, and I slip Riley into them. Before I leave with my sagging burden, I wipe away every fingerprint I have created. There isn't a spot I have touched that I don't remember.

The late hour is such a friend; it has been for so many years. There is not a soul around as I carry Riley downstairs and dump him in my trunk. It is good, for I am not in the mood to kill again, and murder, for me, is very much tied to my mood, like making love. Even when it is necessary.

Mayfairis a town on the Oregon coast, chilly this late in autumn, enclosed by pine trees on one side and salt water on the other. Driving away from Riley's office, I feel no desire to go to the beach, to wade out beyond the surf to sink the detective in deep water. I head for the hills instead. The burial is a first for me in this area. I have killed no one since moving toMayfaira few months earlier. I park at the end of a narrow dirt road and carry Riley over my shoulder deep into the woods. My ears are alert, but if there are mortals in the vicinity, they are all asleep. I carry no shovel with me. I don't need one. My fingers can impale even the hardest soil more surely than the sharpest knife can poke through a man's flesh. Two miles into the woods I drop Riley onto the ground and go down on my hands and knees and begin to dig. Naturally, my clothes get a bit dirty but I have a washing machine and detergent at home. I do not worry. Not about the body ever being found.

But about other things, I am concerned.

Who is Slim?

How did he find me?

How did he know to warn Riley to treat me with caution?

I lay Riley to rest six feet under and cover him over in a matter of minutes without even a whisper of a prayer. Who would I pray to anyway?Krishna? I could very well tell him that I was sorry, although I did tell him that once, after holding the jewel of his life in my bloodthirsty hands while he casually brought to our wild party. No, I think,Krishnawould not to my prayer, even if it was for the soul of one of my victims.Krishnawould just laugh and return to his flute. To the song of life as he called it. But where was the music for those his followers said were already worse than dead? Where was the joy? No, I would not pray to God for Riley.

Not even for Riley's son.

In my home, in my new mansion by the sea, late at night, I stare at the boy's photo and wonder why he is so familiar to me. His brown eyes are enchanting, so wide and innocent, yet as alert as those of a baby owl seen in the light of the full moon. I wonder if in the days to come I will be burying him beside his father. The thought saddens me. I don't know why.

2

I do not need much sleep, two hours at most, which I usually take when the sun is at its brightest. Sunlightdoes affect me, although it is not the mortal enemy Bram Stoker imagined in his tale of Count Dracula. I read the novel Dracula when it first came out, in ten minutes. I have a photographic memory with a hundred percent comprehension. I found the book delicious. Unknown to Mr. Stoker, he got to meet a real vampire when I paid him a visit one dreary English evening in the year 1899. I was very sweet to him. I asked him to autograph my book and gave him a big kiss before I left. I almost drank some of his blood, I was tempted, but I thought it would have ruined any chance he would have had at writing a sequel, which I

encouraged him to do. Humans are seldom able to dwell for any length on things that truly terrify them, even though the horror writers of the present think otherwise. But Stoker was a perceptive man; he knew there was something unusual about me. I believe he had a bit of a crush on me.

But the sun, the eternal flame in the sky, it diminishes my powers. During the day, particularly when the sun is straight up, I often feel drowsy, not so tired that I am forced to rest but weary enough that I lose my enthusiasm for things. Also, I am not nearly so quick or strong during the day, although I am still more than a match for any mortal. I do not enjoy the day as much as the night. I love the blurred edges of darker landscapes. Sometimes I dream of visiting Pluto.

Yet the next day I am busy at dawn. First I call the three businessmen responsible for handling my accounts—each located on a different continent— and tell them I am displeased to learn that my finances have been examined. I listen to each protestation of innocence and detect no falsehood in their voices. My admiration for Mr. Riley's detecting abilities climbs a notch. He must have used subtle means to delve into my affairs.

Or else he'd had help.

Of course I know he had help, but I also believe he turned against the man who sent him to find me. When he realized how rich I was, he must have thought that he could score more handsomely by going after me directly. That leads me to suspect that whoever hired Riley does not know the exact details of my life, where I live and such. But I also realize he will notice Riley's disappearance and come looking for whoever killed him. I have time, I believe, but not much. By nature, I prefer to be the hunter, not the hunted. Yes, indeed, I vow, I will kill those who hired Riley as surely as I wiped him from the face of the earth.

I make arrangements, through my American businessman, to be enrolled at Mayfair High that very day. The wheels are set in motion and suddenly I have a new identity. I am Lara Adams, and my guardian, Mrs. Adams, will visit the school with my transcripts and enroll me in as many of Ray Riley's classes as possible. It has not taken me long to learn the son's name. The arm of my influence is as long as the river of blood I have left across history. I will never meet this fake Mrs. Adams, and she will never meet me, unless she should talk about her efforts on Lara's behalf. Then, if that happens, she will never talk again. My associates respect my desire for silence. I pay them for that respect.

That night I am restless, thirsty. How often do I need to drink blood? I begin to crave it after a week's time. If a month goes by I can think of nothing other than my next dripping throat. I also lose some strength if I go too long. But I do not die without it, at feast not readily. I have gone for as long as six months without drinking human blood. I only drink animal

blood if I am desperate. It is only when I feed from a human that I feel truly satisfied, and I believe it is the life force in the blood that makes me hunger for it more than the physical fluid itself. I do not know how to define the life force except to say that it exists: the feel of the beating heart when I have a person's vein in my mouth; the heat of their desires. The life force in an animal is of a much cruder density. When I suck on a human, it is as if I absorb a portion of the person's essence, their will. It takes a lot of willpower to live for fifty centuries.

Humans do not turn into vampires after I bite them. Nor do they change into one if they drink my blood. Blood that is drunk goes through the digestive tract and is broken down into many parts. I do not know how the legends started that oral exchange could bring about the transformation. I can only make another vampire by exchanging blood with the person, and not just a little blood. My blood has to overwhelm the other person's system before he or she becomes immortal.

Of course, I do not make vampires these days.

I drive south along the coast. I am inNorthern Californiabefore I stop; it is late. There is a bar off the side of the road, fairly large. I make a smooth entrance. The men look me over, exchange glances with their buddies. The bartender does not ask me for my ID, not after I give him a hard glance. There are many more men than women around. I am searching for a particular type, someone passing through, and I spot a candidate sitting alone in the comer. He is big and burly, unshaven; his warm jacket is not dirty, but there are oil stains that did not come out from the last cleaning. His face is pleasant enough, sitting behind his frosty beer, but a tad lonely. He is a long-distance truck driver, I know the type. I have often drunk from their veins.

I sit down in front of him, and he looks up in surprise. I smile; the expression can disarm as well as alarm, but he is happy to see me. He orders me a beer and we talk. I do not ask if he is married—though it is obvious he is—and he does not bring it up. After a while we leave and he takes me to a motel, although I would have been satisfied with the back of his truck. I tell him as much, but he pats my leg and shakes his head. He is a gentleman. I won't kill him.

It is while he is undressing me that I bite into his neck. The act makes him sigh with pleasure and lean his head back; he is not really sure what I am doing. He stays in that position the whole time I drink, hypnotized with the sensation, which to him feels as if he is being caressed from the inside out—with the tip of my nails. Which to me feels like it always does, sweet and natural, as natural as making love. But I do not have sex with him. Instead, I bite the tip of my own tongue and let a drop of my blood fall onto his wounds. They heal instantly, leaving no scar, and I lay him down to rest. I have drunk a couple pints. He will sleep deep, maybe wake up with a slight headache:

"Forget," I whisper in his ear.

He won't remember me. They seldom do.

The next morning I sit in Mr. Castro's history class. My cream-colored dress is fashionable, on the rich side; the embroidered hem swings four inches above my knees. I have very nice legs and do not mind showing them off. My long wavy blond hair hangs loose on my shoulders. I wear no makeup or jewelry. Ray Riley sits off to my right, and I study him with interest. Class will begin in three minutes.