that Asher was the more beautiful, and Asher had believed the same of Jean-Claude.
The artist had painted white wings on the sleeping figure, so detailed they looked as if they'd be soft if you could touch them. The wings were huge and reminded me of renaissance pictures of angels. They seemed out of place on that golden body.
Psyche was peering around the edge of one wing, so that it shielded her upper body, yetrevealed a shoulder, the edge of her body, down to that first curve of hip, but most of her was lost behind Cupid's body. I frowned up at the picture. I knew that shoulder, the curve of the ribs under that white skin. Though traced with golden candlelight, I knew the line of that body. I'd expected Psyche to be Belle Morte, I'd been wrong.
I looked past the long black curls that didn't so much hide the figure as decorate it, and the face peering around the candle's edge was Jean-Claude's. It took me a second to be sure, because he seemed more delicately beautiful than normal, until I realized that he was wearing makeup--that centuries-old version of it, anyway. Things had been done to soften the line of his face, make his lips more pouting. But the eyes, the eyes were unchanged, with their black lace of lashes and that drowning deep color.
The painting was too large for me to stand next to the fireplace and see it all, but there was something about the eyes of the Cupid figure. I had to move close to see that they were open a mere slit, enough to show the cold blue fire that I'd seen when the hunger was upon Asher.
Jean-Claude touched my face, and it made me jump. Damian had moved back, giving us space. Jean-Claude traced the tears on my cheeks. The look in his eyes said clearly that I was crying tears for both of us. He couldn't afford to appear weak in front of Musette. And I couldn't help it.
We both turned to Asher, but he was standing as far away as the room would allow. He had turned away, so that all you could see of his face was that golden fall of hair. His shoulders were slightly hunched, as if he'd been struck.
Musette came to stand on the other side of Jean-Claude. "Our mistress thought, since you are together again as of old, that you would enjoy this little reminder of days gone by."
The look I gave her around Jean-Claude's shoulder was not a friendly one. I saw the girl who was her pomme de sangon the other side of the couch. I hadn't even been aware she'd moved away from the fireplace. If the bad guys had wanted to take me out, they could have done it, because I had seen nothing for a few minutes but the painting.
"The painting is our guest gift to our host, but we have a more personal gift just for Asher."
Angelito moved up beside her like a dark mountain, a much smaller painting in his hands. There were remnants of the paper and twine that had covered it like a discarded skin on the floor. It was half the size of the other, but obviously in the same style, realistic, but in glowing colors, hyperrealistic, very Titian.
The only light in the painting was firelight, the glow of the forge. Asher's body was colored gold and crimson with the reflected firelight. He was nude again, the edge of the anvil hid his groin, but the right side of his body was bare to the light. Even his hair was tied back in a loose ponytail so that the right side of his face couldn't be hidden. His arms were still strong as they pretended to forge the blade that lay on the anvil, but the right side of his face, the right side of chest, his stomach, his thigh, were a melted ruin.
These were not the old white scars that I was used to seeing, these were raw, red, discolored, angry lines, like some monster had slashed and gouged at his body. I was suddenly overwhelmed with a memory that was not mine.
Asher lying on the floor of the torture room, freed of the silver chains, the men who had tormented him slaughtered around him, in an explosion of blood. He reached out to us, his face . . . his face . . .
I swooned, and Jean-Claude and I fell in a heap on