I think she's got a taste of me now. She's either going to be afraid of me, or attracted to the power."
"I believe she marked you once to torment me, ma petite.She does not truly want you as her human servant, but she is angry with me, angry with you for having me." He shook his head. "She thinks like a woman, ma petite,and not a modern one. You think more like a man, so it is hard to explain to you."
"No, I think I've got an inkling. You're going to try and convince Belle's people that you didn't dump her for any woman, but for a lot of men."
"Oui."
"And if the sight of a lot of gorgeous men torments Paolo, too, so much the better."
He smiled, but it left his eyes hard and unpleasant. "Oui, ma petite."
I didn't say it out loud, but Belle Morte wasn't the only one who rarely did anything without having more than one motive.
44
The banquet was in one of the inner rooms of the Circus. One I'd never seen before. I knew that the place was huge and I'd seen only a fraction of it, but I hadn't realized I'd missed a room this size. It was literally cavernous, because it had originally been a cave, a huge, towering, space that water had carved out of solid stone over a few million years. There was no water now, only rock and the cool air. It was the way the air tasted, the way it touched your skin that let you know somehow that all this dark splendor was nature's handy work, not man's. I don't know what the difference between natural caves and man-made ones is, but the air feels different, it just does.
I expected torches for the night, but was surprised to find that there was gas. Gas lamps placed around the room, chasing back the dark. I asked Jean-Claude when he'd installed the gas, and he said that some bootleggers had done it during prohibition, that the cavern had been a speakeasy. Nikolaos, the Master of the City before Jean-Claude, had let the bootleggers pay rent for the space. Her vampires had also fed on the drunken revelers. It was a good easy way to feed without getting caught. Since the prey was already breaking the law, it wouldn't go to the police, to say where the vampire attack had happened.
I'd never been in a room that was lit entirely by gas lamps. It had that soft edge of firelight, but it was steadier and burned cleaner. I'd half expected there to be an odor of gas, but there wasn't. Jean-Claude informed me that if I smelled gas it would mean there was a leak, and we should probably run like hell. Okay, what he actually said was we should leave as quickly as possible, but I knew what he meant.
The banquet table was both beautifully--and oddly--arranged. It gleamed with golden flatware, and the gold picked up the delicate gold pattern in the white fine-boned china. There were gold napkin rings around white linen napkins. The tablecloth was triple layered, one long and white that nearly dragged the floor, a gold edge of leaves and flowers embroidered around its hem. The middle layer was a delicate gold lace. The top was a different layer of gold--white and gold--as if someone had taken gold paint and dabbed it sponge-like on white linen.
The chairs had white and gold cushioned seats and richly carved backs in a dark, dark wood. The table sat like a gleaming island in the midst of the gaslit dark. But two things confused me. First, there were way more golden utensils at each place than I knew what to do with. What the hell do you use a tiny two-tined fork for anyway? It was set at the top of the plate, so it was either for seafood, salad, dessert, or something I hadn't thought of. I was hoping for seafood or dessert, since I thought I knew which fork was for salad. Having never been to a formal vampire banquet, I tried not to speculate on other possible uses for the two-tined fork.
Secondly, there were a number of complete place settings on the floor. Each setting had a white linen napkin spread under it, like miniature picnics. The place settings on the floor were spaced between the chair settings, so there was room to pull the chairs in and out. It was . . . odd.