The Burglar Who Liked to Quote Kipling - By Lawrence Block Page 0,15
the J. K. Stephens poem?”
I didn’t even know whom he was talking about, but he managed to quote the poem from memory:
“Will there never come a season
Which shall rid us from the curse
Of a prose which knows no reason
And an unmelodious verse:
When the world shall cease to wonder
At the genius of an Ass,
And a boy’s eccentric blunder
Shall not bring success to pass:
When mankind shall be delivered
From the clash of magazines,
And the inkstand shall be shivered
Into countless smithereens:
When there stands a muzzled stripling,
Mute, beside a muzzled bore:
When the Rudyards cease from Kipling
And the Haggards Ride no more.”
He moved to refill our coffee cups. “Nasty piece of billingsgate, eh? One of many such. Just drove the two of them closer together, however. Haggard spent as much time at Kipling’s house in Surrey as he did at home. They’d actually work together in Kipling’s study, sitting on opposite ends of the long desk, batting ideas back and forth, then scribbling away furiously at one thing or another.”
“Interesting,” I said.
“Isn’t it? Not too long after the 1918 Armistice the two men set about organizing the Liberty League, a sort of anti-Communist affair which never got terribly far off the ground. The bit of doggerel someone wrote gives a fair idea of the Liberty League’s slant on current affairs. You know the poem?”
“I don’t think so.”
“It’s cleverly rhymed, and I think I mentioned my admiration for a facility at rhyming.
“ ‘Every Bolsh is a blackguard,’
Said Kipling to Haggard.
‘And given to tippling,’
Said Haggard to Kipling.
‘And a blooming outsider,’
Said Rudyard to Rider.
‘Their domain is a bloodyard,’
Said Rider to Rudyard.
“Neatly done, don’t you think? I could quote others of a similar nature but I’ll spare you that.”
I very nearly thanked him. I was beginning to think I’d been mistaken, that he’d just brought me here to quote verse at me. Well, at least the coffee was good.
Then he said, “Liberty League. After it fell apart, Kipling went through a difficult time. His health was poor. Gastritis, which he thought might be symptomatic of cancer. Turned out he had duodenal ulcers. He was subject to depression and it may have affected his thinking.
“The man became briefly fixated on the curious notion that the British Empire was menaced by an unholy alliance of Jewish international financiers and Jewish Bolsheviks. These two unlikely forces were joining together to destroy Christianity by wresting the overseas empire from the British crown. Kipling wasn’t the sort of moral degenerate to whom anti-Semitism comes naturally, and he didn’t persist in it for any length of time, nor did it color his work to a considerable extent.
“But he did write one extremely bizarre piece of work on an anti-Semitic theme. It was a narrative poem in ballad meter, some three thousand two hundred lines called The Deliverance of Fort Bucklow. The plot line concerns the efforts of a gallant British regiment to save India from a revolution stirred up by Jewish agitators, and it’s quite clear that the battle for Fort Bucklow is not merely the decisive battle of this war but Kipling’s version of the Battle of Armageddon, with the forces of Good and Evil pitted against one another to decide the fate of humankind.
“Do you remember Soldiers Three? Learoyd, Ortheris and Mulvaney? Kipling brought them back to make them the heroes who deliver Fort Bucklow and save the day for God and King George. Oh, there are some stirring battle scenes, and there’s a moment when ‘two brave men stand face to face’ in a manner reminiscent of The Ballad of East and West, but poor Kipling was miles from the top of his form when he wrote it. The premise is absurd, the resolution is weak, and there are elements of frightful unwitting self-parody. He often skated rather close to the edge of self-parody, you know, and here he lost his footing.
“Perhaps he recognized this himself. Perhaps his vision of the Hebraic Conspiracy embraced the world of publishing. In any event, he didn’t offer The Deliverance of Fort Bucklow to his London publishers. He may have planned to do so ultimately, but in the meantime he elected to safeguard the copyright by bringing out the poem in a small private edition.”
“Ah.”
“Ah indeed, sir. Kipling found a printer named Smithwick & Son in Tunbridge Wells. If Smithwick ever printed another book before or since, I’ve never heard of it. But he did print this one, and in an edition of only one hundred fifty copies. It’s not fine printing by any means because Smithwick