The Burglar Who Liked to Quote Kipling - By Lawrence Block Page 0,13
was reading looked like doggerel to me.
For this I’d passed up Krugerrands and Barber Proofs, Fabergé and Baccarat and Daum Nancy. For this I’d returned the pearl-and-ruby ring to its little velvet case.
Mr. Whelkin would be proud of me.
CHAPTER
Four
I met J. Rudyard Whelkin on a slow midweek morning two weeks prior to my little venture in breaking and entering. The Yankees had just dropped the first two games of the Series, and the night before I’d watched a kid barely old enough to shave strike out Reggie Jackson with the bases loaded. This morning it was damp and drizzly, and it figured.
I hadn’t had any customers yet and I didn’t much care; I was settled in behind the counter with a paperback. I don’t stock paperbacks, and the ones that come in I wholesale to a guy on Third and Sixteenth who deals in nothing else.
Sometimes, though, I read them first. The one I was reading was one of Richard Stark’s books about Parker. Parker’s a professional thief, and every book runs pretty much to form—Parker puts together a string of crooks, he goes someplace like Spartanburg, South Carolina, to buy guns and a truck, he gets a dentist in Yankton Falls to put up front money for the operation, he and his buddies pull the job, and then something goes horribly wrong. If nothing went horribly wrong, all of the books would end around page 70 and by now Parker would own his own island in the Caribbean.
Last time I was inside, everybody was a big fan of Parker’s. My colleagues read everything they could get their hands on about him, even if they had to move their lips to get the job done. I swear there were grizzled cons in that joint who would walk around quoting passages at each other, especially parts where Parker maimed someone. One safecracker always quoted the part where Parker settled a score with an unworthy fellow laborer by breaking three important bones and leaving him in a swamp. It was the adjective that did it for him, the idea of deliberately breaking important bones.
I had just reached the part where Parker was putting in an urgent call to Handy McKay at his diner in Presque Isle, Maine, when the little bells above the door tinkled to announce I had company. I moved the paperback out of sight as my visitor approached the counter. After all, antiquarian booksellers have an image to protect. We’re not supposed to read trash.
He was a stout man, florid of face, jowly as a bulldog, with thinning mahogany hair combed straight back over a glossy salmon scalp. He wore a charcoal-brown herringbone tweed jacket with suede elbow patches, a tobacco-brown sweater vest, a tan oxford-cloth shirt with a button-down collar, a chocolate-brown knit tie. His trousers were fawn cavalry twill, his shoes brown wing tips. He had a long narrow nose, a graying guardsman’s mustache. His eyebrows were untamed tangles of briar; beneath them his eyes (brown, to match his outfit) were keen and cool and just a trifle bloodshot.
He asked if Mr. Litzauer was expected, and I explained about the change in ownership. “Ah,” he said. “No wonder he hasn’t been in touch. I’m a collector, you see, and he always lets me know when he runs across an item I might fancy.”
“What do you collect?”
“Victorian poets, for the most part, but I follow my taste, you know. I’m partial to artful rhymers. Thomas Hood. Algernon Charles Swinburne. William Mackworth Praed. Kipling, of course, is my keenest enthusiasm.”
I told him whatever I had was on the shelves. He went to look for himself and I got Parker out from beneath the counter and returned to vicarious crime. Two of Parker’s henchpersons were just getting ready to set up a doublecross when my tweedy customer presented himself once again at the counter, a small clothbound volume in hand. It contained the collected lyric poems of Austin Dobson and I had it priced at six or seven dollars, something like that. He paid in cash and I wrapped it for him.
“If you happen on anything you think I might like,” he said, “you might want to ring me up.”
He handed me his card. It bore his name, an address in the East Thirties, and a phone number with a MUrray Hill 8 exchange. The card conveyed no suggestion of what the man did for a living.
I looked from it to him. “You collect Kipling,” I said.