The Brief Wondrous Life of Oscar Wao - By Junot Diaz Page 0,3
his youth, Oscar was something of a Casanova. One of those pre-school loverboys who was always trying to kiss the girls, always coming up behind them during a merengue and giving them the pelvic pump, the first nigger to learn the perrito and the one who danced it any chance he got. Because in those days he was (still) a ‘normal’ Dominican boy raised in a ‘typical’ Dominican family, his nascent pimpliness was encouraged by blood and friends alike. During parties, and there were many many parties in those long-ago seventies days, before Washington Heights was Washington Heights, before the Bergenline became a straight shot of Spanish for almost a hundred blocks — some drunk relative inevitably pushed Oscar onto some little girl and then everyone would howl as boy and girl approximated the hip-motism of the adults.
You should have seen him, his mother sighed in her Last Days. He was our little Porfirio Rubirosa.↓
≡ In the forties and fifties, Porfirio Rubirosa — or Rubi, as he was known in the papers — was the third-most-famous Dominican in the world (first came the Failed Cattle Thief, and then the Cobra Woman herself, María Montez). A tall, debonair pretty boy whose ‘enormous phallus created havoc in Europe and North America,’ Rubirosa was the quintessential jet-setting car-racing polo-obsessed playboy, the Trujillato’s ‘happy side’ (for he was indeed one of Trujillo’s best-known minions). A part-time former model and dashing man-about-town, Rubirosa famously married Trujillo’s daughter Flor de Oro in 1932, and even though they were divorced five years later, in the Year of the Haitian Genocide, homeboy managed to remain in El Jefe’s good graces throughout the regime’s long run. Unlike his ex-brother-in-law Ramfis (to whom he was frequently connected), Rubirosa seemed incapable of carrying out many murders; in 1935 he traveled to New York to deliver El Jefe’s death sentence against the exile leader Angel Morales but fled before the botched assassination could take place. Rubi was the original Dominican Player, fucked all sorts of women — Barbara Hutton, Doris Duke (who happened to be the richest woman in the world), the French actress Danielle Darrieux, and Zsa Zsa Gabor — to name but a few. Like his pal Ramfis, Porfirio died in a car crash, in 1965, his twelve-cylinder Ferrari skidding off a road in the Bois de Boulogne. (Hard to overstate the role cars play in our narrative.)
All the other boys his age avoided the girls like they were a bad case of Captain Trips. Not Oscar. The little guy loved himself the females, had ‘girlfriends’ galore. (He was a stout kid, heading straight to fat, but his mother kept him nice in haircuts and clothes, and before the proportions of his head changed he’d had these lovely flashing eyes and these cute-ass cheeks, visible in all his pictures.) The girls — his sister Lola’s friends, his mother’s friends, even their neighbor, Mari Colon, a thirty-something postal employee who wore red on her lips and walked like she had a bell for an ass — all purportedly fell for him. Ese muchacho está bueno! (Did it hurt that he was earnest and clearly attention-deprived? Not at all!) In the DR during summer visits to his family digs in Baní he was the worst, would stand in front of Nena Inca’s house and call out to passing women — Tú eres guapa! Tú eres guapa! — until a Seventh-day Adventist complained to his grandmother and she shut down the hit parade lickety-split. Muchacho del diablo! This is not a cabaret!
It truly was a Golden Age for Oscar, one that reached its apotheosis in the fall of his seventh year, when he had two little girlfriends at the same time, his first and only ménage a trios. With Maritza Chacon and Olga Polanco.
Maritza was Lola’s friend. Long-haired and prissy and so pretty she could have played young Dejah Thoris. Olga, on the other hand, was no friend of the family. She lived in the house at the end of the block that his mother complained about because it was filled with puertoricans who were always hanging out on their porch drinking beer. (What, they couldn’t have done that in Cuamo? Oscar’s mom asked crossly.) Olga had like ninety cousins, all who seemed to be named Hector or Luis or Wanda. And since her mother was una maldita borracha (to quote Oscar’s mom), Olga smelled on some days of ass, which is why the kids took to calling her Mrs. Peabody.