‘Well, that shouldn’t be a problem,’ Kaz said.
‘You think you can get us to Nalhalla, my lord?’ Draulin asked.
‘Probably.’
I turned. ‘What about the Library of Alexandria?’
‘You still want to go there?’ Draulin asked.
‘Of course.’
‘I don’t know if—’
‘Draulin,’ I said, ‘don’t make me force you to hop on one foot again.’
She fell silent.
‘I agree with Alcatraz,’ Kaz said, walking over to pick through the rubble. ‘If my father’s in Alexandria, then he’s undoubtedly getting into trouble. If he’s in trouble, that means I’m missing out on some serious fun. Now, let’s see if we can salvage anything . . .’
I watched him work, and soon Draulin joined him, picking through the pieces. Bastille walked up beside me.
‘Thanks,’ she said. ‘For saving me when I fell out of the side of the dragon, I mean.’
‘Sure. I’ll kick you any time you want.’
She snorted softly. ‘You’re a real friend.’
I smiled. Considering that we’d crashed so soundly, it was remarkable that nobody had been severely hurt. Actually, you may find this annoying. It would have been a better story if someone had died here. An early fatality can really make a book seem much more tense, as it lets people realize how dangerous things can be.
You have to remember, however, that this is not fiction, but a real-life account. I can’t help it if all my friends were too selfish to do the narratively proper thing and get themselves killed off to hike up the tension of my memoirs.
I’ve spoken to them at length about this. If it makes you feel better, Bastille dies by the end of this book.
Oh, you didn’t want to hear that? I’m sorry. You’ll just have to forget that I wrote it. There are several convenient ways to do that. I hear hitting yourself on the head with a blunt object can be very effective. You should try using one of Brandon Sanderson’s fantasy novels. They’re big enough, and goodness knows, that’s really the only useful thing to do with them.
Bastille – completely unaware that she was condemned – glanced at the half-buried dragon’s head. Its broken eyes stared out toward the jungle, its maw opened slightly, teeth cracked. ‘It seems such a sad end for the Dragonaut,’ she said. ‘So much powerful glass wasted.’
‘Is there any way to . . . I don’t know, fix it?’
She shrugged. ‘The silimatic engine is gone, and that’s what gave the glass its power. I supposed if you could get a new engine, it would still work. But, cracked as the ship is, it would probably make more sense to smelt the whole thing down.’
The others came up with a couple of backpacks full of food and supplies. Kaz eventually let out a whoop of joy, then dug out a little bowler of a hat, which he put on. This was joined by a vest he wore under his jacket. It was an odd combination, since the jacket itself – along with his trousers – were made of heavyweight, rugged material. He came across looking like some cross between Indiana Jones and a British gentleman.
‘We ready?’ he asked.
‘Almost,’ I said, finally pulling off the boots with the Grappler’s Glass on them. ‘Any way to turn these off?’ I held up the boot, critically eyeing the bottom, which was now stuck with shards of glass and – not surprisingly – sand.
‘For most people there is no way,’ Draulin said, sitting on a piece of the wreckage, then taking off her armored boots. She pulled out a few pieces of specially shaped glass and slid them into place. ‘We simply cover them with plates like these, so the boots stick to those instead.’
I nodded. The plates in question had soles and heels on the bottom, and probably felt just like regular shoes.
‘You, however, are an Oculator,’ she said.
‘What does that have to do with it?’
‘Oculators aren’t like regular people, Alcatraz,’ Australia said, smiling. Her head had stopped bleeding, and she’d tied a bandage to it. A pink one. I had no idea where she had found it.
‘Indeed, my lord,’ Draulin said. ‘You can use the Lenses, but you also have some limited power over silimatic glass, what we call “technology”.’