head; this photo told him which one to use. The two figures plus the steeple meant he was to use cipher three. If, for instance, the two people were in front of an arch, he'd subtract one from two, instead of adding to it. There were other visual cues. A brick building meant divide the number of figures by two; a bridge, multiply by two; and so on.
Willard deleted the photo from his phone, then picked up the third section of the Post and began to read the first story on page three. Starting with the third word, he began to decipher the message that was his call to action. As he moved through the article, substituting certain letters for others as the protocol dictated, he felt a profound stirring inside him. He had been the Old Man's eyes and ears inside the NSA for three decades, and the Old Man's sudden death last year had saddened him deeply. Then he had witnessed Luther LaValle's latest run at CI and had waited for his phone to ring, but for months his desire to see another photo fill his screen had been inexplicably unfulfilled. He simply couldn't understand why the new DCI wasn't making use of him. Had he fallen between the cracks; did Veronica Hart not know he existed? It certainly seemed that way, especially after LaValle had trapped Soraya Moore and her compatriot, who was still incarcerated belowdecks, as Willard privately called the rendition cells in the basement. He'd done what he could for the young man named Tyrone, though God knows it was little enough. Yet he knew that even the smallest sign of hope-the knowledge that you weren't alone-was enough to reinvigorate a stalwart heart, and if he was any judge of character, Tyrone had a stalwart heart.
Willard had always wanted to be an actor-for many years Olivier had been his god-but in his wildest dreams he'd never imagined his acting career would be in the political arena. He'd gotten into it by accident, playing a role in his college company, Henry V, to be exact, one of Shakespeare's great tragic politicians. As the Old Man said to him when he'd come backstage to congratulate Willard, Henry's betrayal of Falstaff is political, rather than personal, and ends in success. "How would you like to do that in real life?" the Old Man had asked him. He'd come to Willard's college to recruit for CI; he said he often found his people in the most unlikely places.
Finished with the deciphering, Willard had his immediate instructions, and he thanked the powers that be that he hadn't been tossed aside with the Old Man's trash. He felt like his old friend Henry V, though more than thirty years had passed since he'd trod a theater stage. Once again he was being called on to play his greatest role, one that he wore as effortlessly as a second skin.
He folded the paper away under one arm, took up his cell phone, and went out of the lounge. He still had twenty minutes left on his break, more than enough time to do what was required of him. What he had been ordered to do was find the digital camera Tyrone had on him when he'd been captured. Poking his head into the Library, he satisfied himself that LaValle was still sitting in his accustomed spot, opposite Soraya Moore, then he went down the hall.
Though the Old Man had recruited him, it was Alex Conklin who had trained him. Conklin, the Old Man had told him, was the best at what he did, namely preparing agents to be put into the field. It didn't take him long to learn that though Conklin was renowned inside CI for training wet-work agents, he was also adept at coaching sleeper agents. Willard spent almost a year with Conklin, though never at CI headquarters; he was part of Treadstone, Conklin's project that was so secret even most CI personnel was unaware of its existence. It was of paramount importance that he have no overt association with CI. Because the role the Old Man had planned for him was inside the NSA, his background check had to be able to withstand the most vigorous scrutiny.
All this flashed through Willard's mind as he walked the sacrosanct hallways and corridors of the NSA's safe house. He passed agent after agent and knew that he'd done his job to perfection. He was the indispensable nobody, the person who was always