The Botticelli Secret - By Marina Fiorato Page 0,120

tell if she had tasted the sweets of the marriage bed as yet. I had to concede that my companion was right—the Romanesque style of the dress covered every sin in that quarter. Yet having seen her, I now thought her pure; she did have the countenance and bearing of a maiden. I am indifferent usually to the charms of my own sex, but I had to admit that her beauty and purity were striking, as far from my own earthy beauty as the moon floats high, cold fathoms above the warm terra. She was worthy to be Venus, queen of love, and her resemblance to her twin in the Primavera was complete when she turned at the head of the aisle and raised her hand to the congregation, in a gesture of welcome and greeting exactly matched in the painting.

The groom, on the other hand, was a jackal. He had eyes for everyone but his lady as he walked up the aisle, laughing, japing, and greeting his friends as he went, with no heed for decorum or rite. His teeth were bright white and plentiful, his caper-green eyes roving. He bore a physical resemblance to his powerful cousin and guardian, but wore none of the authority and power with the name he bore. I felt him unworthy to be heir to this, my city. My nostrils flared as he passed and I caught a whiff of male musk—he had not kept his chastity for the wedding night. His scent and his character soured together in my nose. God knows, I have few moral boundaries, but this I knew. He was a treacherous conspirator and he had to be stopped.

The couple turned from us and a priest in a splendid chasuble walked to the center of the chancel steps to meet them, and began to intone the mass over them. Having, as I said, little Latin despite my convent education, I would have slept in my seat but for the strong impression of Botticelli’s eyes burning into the back of my neck, the skin naked to his gaze without my usual tumble of hair. I knew now that we had little time after the service, to reach il Magnifico before Botticelli reached me—to say what, I dared not contemplate. I alternated for the rest of the service between nervously dreading the end of the mass and impatiently willing the priest to be done. I did not pray, for I never did; but I noticed that Brother Guido kept his full lips clamped tight shut through the proceedings—not a prayer did he offer, not a psalm did he sing, not a response passed his lips.

At length the priest began the handfasting, winding the couple’s hands together in the Florentine tradition. As the spring-green ribbon passed over and above one brown hand and one white, I craned to see the groom’s left thumb and knew that Brother Guido did likewise. For the longest time we could see nothing as the ribbon blocked our sight, but at the final binding all was clear.

No ring.

It was as plain as day. The groom’s thumb lay over his lady’s, naked as a new babe.

Brother Guido and I exchanged a look, as my heart thumped. What could this mean?

“Perhaps if he’s the leader, he doesn’t have to wear a ring?” I suggested hopefully.

“Except it bears the Medici symbol. Perhaps he left it off to keep his hand naked for the handfasting?”

But neither his theory nor mine rang true. Fuck. Could we be wrong?

There was no time to think, as the ceremony was drawing to a close with the final prayers. The bride and groom married, passed back down the aisle, and I could see once again at close quarters that the groom’s thumb was definitely bare. But, packed in as we were by leaving guests, we had no chance to see the painting properly, no time to peruse the rose. “What do we do?” I hissed, as the tide of silk and satin swept us ever forward to il Magnifico, where he sat in state in his carved chair. His servants handed him the laurel boughs, which he gave to each departing guest. Saying little, but smiling and bowing with true nobility. “Let’s appeal to him,” said I, suddenly finding kindness in the noble face. “Throw ourselves on his mercy, beg for sanctuary. We have no choice.” Through the press of the crowd I saw Botticelli pushing his way down the aisle toward me.

We were next.

Brother Guido

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