of the first century, decades after Jesus’s death. The mosaic of Ana’s face in Antipas’s palace was inspired by an actual mosaic found on the floor of an excavated mansion in Sepphoris. Known as Mona Lisa of the Galilee, it is an exquisite depiction of a woman’s face that dates to the third century.
Phasaelis, the first wife of Herod Antipas, was a Nabataean princess who covertly escaped back to her father in the Arabian kingdom of Nabataea when she learned that Antipas planned to take Herodias as his wife. The exact year she fled is debated, but I’ve almost certainly predated it by several years.
Christian Scripture states that Jesus had four named brothers and multiple unnamed sisters; I could only make room in the story for two brothers and one sister. My representation of James is likely harsher than he deserves, though in New Testament Scripture it does appear there was some conflict between Jesus and his brothers during Jesus’s ministry. James later became a follower of Jesus after his brother’s death and the leader of the Jerusalem church.
In the Scriptures, Jesus appears at the Jordan River to be baptized by John the Baptist, then immediately goes off into the wilderness, after which he begins his ministry. I’ve imagined, however, that after his baptism and retreat into the wilderness, Jesus spent some months as one of John’s followers. While there’s no mention of this in Scripture, there are conjectures by some scholars that Jesus was likely one of John’s followers and was deeply influenced by him, a premise I adopted.
Mary of Bethany is the woman named in the New Testament Scripture as anointing Jesus’s feet with an expensive ointment shortly before his death, an event that elicited criticism from Judas. I took the liberty of having Ana’s friend Tabitha perform this act of anointing instead.
In the novel, Ana rushes to Jesus on the street when he falls beneath the weight of the crossbeam. This deviates from a long-held nonscriptural tradition that a woman named Veronica went to him and wiped his face when he fell.
The Gospels in the New Testament describe Jesus as arriving in Bethany and Jerusalem in Judea the week before his death. However, in order to accommodate the timeline of the story, I had them arrive a number of weeks before the crucifixion.
I’ve attempted to adhere to the biblical stories of Jesus’s trial, crucifixion, and burial, though not all of the occurrences in these stories could be incorporated. The inclusion or absence of events depends on whether or not they are witnessed or discovered by Ana, the narrator. In the novel, Ana and a group of women walk with Jesus to his execution, remain there as he’s crucified, and then prepare him for burial. The Gospels give somewhat differing accounts of his death, but they all record the presence of a group of women at his crucifixion. Jesus’s mother and Mary Magdalene are listed among them. Salome, Jesus’s sister, and Mary of Bethany are not mentioned, but I inserted them in place of two other women who were. The scene in the novel in which the women walk with Jesus to his crucifixion is my invention.
The Therapeutae was not a figment of my imagination, but a real monastic-like community, near Lake Mareotis in Egypt, where Jewish philosophers devoted themselves to prayer and study and a sophisticated allegorical interpretation of Scripture. Thriving during the time period in the novel, the group is represented in these pages with a significant amount of factual detail. The forty-ninth-day vigils with their delirious all-night singing and dancing did indeed take place, the holy rooms in their small stone houses existed, as did female members and a devotion to Sophia, the feminine spirit of God. However, the Therapeutae’s practice of asceticism and solitude was far more prevalent and intense than I describe. In the story, I refer to their fasting and solitude, but I essentially reimagine the group as more interactive and body-friendly.
The Thunder: Perfect Mind is an actual document written by an unknown author believed to be female and dated within the novel’s time frame. Its nine pages of papyrus were among the famous Nag Hammadi texts discovered in 1945 in a jar buried in the hills above the Nile in Egypt. In the novel, Thunder: Perfect Mind is authored by Ana, who composes it as a hymn to Sophia. The passages of it that are included in the novel are from the real poem. I’ve read and reread this poem for two decades, awed by its provocative, ambiguous, commanding, gender-bending voice. Imagining Ana creating it as her great opus simply made me happy.