Blood Rites (The Dresden Files #6) - Jim Butcher Page 0,29
my head and started my car. I'd been briefly exposed to an entropy curse once. It had been a lot more powerful than the malocchio that had nearly killed Jake and Giselle. I barely survived it—even with a hefty arsenal of magic and the sacrifice of a good man's life to divert the curse from me.
I'd saved Jake and Giselle, but I'd been lucky. It could as easily have been me getting electrocuted in a pool of my own blood. I'd managed to mitigate the malocchio, barely, but there was nothing to say that it couldn't happen again. And it was more than possible that next time the lance of vicious magic would be aimed right at me.
I started up the Blue Beetle and headed for my office, pondering on the road.
I didn't have enough information to make a solid guess on a perpetrator. Maybe it would make more sense to examine the murder weapon, as it were, and determine how it was being used.
Curses had the same sorts of limitation as any other spell, after all. Which meant that whoever was sending the Evil Eye had to have some sort of means of directing the magic at a target. Body parts worked best—a lock of hair, nail clippings, and fresh blood were the most common items used, but they weren't the only ones. A poppet, a little dolly dressed up like the intended victim, could also be used to aim a malevolent spell. I've heard you can even employ a good photo.
But targeting the spell was only one part of the process. Before the killer could send it anywhere, he had to gather up the energy to make it happen. A curse that strong would require a whole lot of work, gathering and focusing raw magic in one place. And after that, the energy would have to be molded, shaped into its desired result. Even among the magically gifted, that kind of discipline was rare. Sure, any of the White Council could do that as a matter of routine, but the White Council didn't include everyone with magical skill. Most weren't talented enough to apply for an apprenticeship. And there were plenty of people who washed out and never made it through their schooling.
Magic this powerful would be a dangerous business for someone new to the use of magic. Odds were good that this wasn't some petty, jealous whim of an arcane dabbler. Someone with a disturbing amount of ability was methodically committing murder.
But why? Why kill women working for Arturo? What effect would it have? The people involved in his films were clearly very nervous. Maybe someone was attempting to spread terror, to cause Arturo's business venture to implode.
Vengeance of some kind could be a motive, but after a moment's thought, I decided that greed opened up the field to more possibilities. Greed is a nice, sterile motivation. If the money's right, you don't need to know someone to take advantage of them. You don't have to hate them, or love them, or be related to them. You don't even have to know who they are. You just have to want money more than you want them to keep on breathing, and if history is any indicator, that isn't a terribly uncommon frame of mind.
I parked in my building's lot and stomped up the stairway to my office. Who would gain by Arturo's ruin? Silverlight Studios. I nodded. That line of thought fit a lot better than some sort of demented vengeance kick. It was a good place to get started, and I had a couple of hours to put to use. With luck, I could dig up the information I would need to support (or demolish) the idea of a bad guy with dollar signs where his conscience should be.
I opened my office door, but before I could go inside I felt something cold and hard press against the back of my neck: the barrel of a gun. My heart fluttered into sudden, startled panic.
"Go into the office," said a quiet, rough voice, relaxed and masculine. "Don't make this any louder than it has to be."
Chapter Ten
Apparently a gun held to the back of my head engenders a sense of fellowship and goodwill in the depths of my soul. I cooperated.
I unlocked the door to the office, and the gunman followed me in. My office isn't big, but it's on the corner, and has windows on two walls. There's a table, a counter with my old coffee