Bosch was torn between wanting to ask what was going on and not wanting to step into it. Moore said nothing. He was giving Bosch the choice. Harry decided to keep out of it.
He said, "If they've got a hard-on for you, there isn't much you can do. Call the union and get a lawyer. Do what he says and don't give the suits anything you don't have to."
Moore nodded silently once more. Harry put down two twenty-dollar bills that he hoped would cover the tab and still leave something for the bartender. Then he walked out.
He never saw Moore again.
Bosch connected with the Antelope Valley Freeway and headed northeast. On the Sand Canyon overpass he looked across the freeway and saw a white TV van heading south. There was a large 9 painted on its side. It meant Moore's wife would already know by the time Bosch arrived. And Bosch felt a slight twinge of guilt at that, mixed with relief that he would not be the one breaking the news.
The thought made him realize that he did not know the widow's name. Irving had given him only an address, apparently assuming Bosch knew her name. As he turned off the freeway onto the Sierra Highway, he tried to recall the newspaper stories he had read during the week. They had carried her name.
But it didn't come to him. He remembered that she was a teacher—an English teacher, he thought—at a high school in the Valley. He remembered that the reports said they had no children. And he remembered that she had been separated a few months from her husband. But the name, her name, eluded him.
He turned on to Del Prado, watched the numbers painted on the curbs and then finally pulled to a stop in front of the house that had once been Cal Moore's home.
It was a common ranch-style home, the kind minted by the hundreds in the planned communities that fed the freeways to overflow each morning. It looked large, like maybe four bedrooms, and Bosch thought that was odd for a childless couple. Maybe there had been plans at one time.
The light above the front door was not on. No one was expected. No one was wanted. Still, in the moonlight and shadow, Bosch could see the front lawn and knew that the mower was at least a month past due. The tall grass surrounded the post of the white Ritenbaugh Realty sign that was planted near the sidewalk.
There were no cars in the driveway and the garage door was closed, its two windows dark empty sockets. A single dim light shone from behind the curtained picture window next to the front door. He wondered what she would be like and if she would feel guilt or anger. Or both.
He threw his cigarette into the street and then got out and stepped on it. Then he headed past the sad-looking For Sale sign to the door.
Four
THE MAT ON THE PORCH BELOW THE FRONT door said WELCOME but it was worn and nobody had bothered to shake the dust off it in some time. Bosch noticed all of this because he kept his head down after knocking. He knew that looking at anything would be better than looking at this woman.
Her voice answered after his second knock.
"Go away. No comment."
Bosch had to smile, thinking how he had used that one himself tonight.
"Hello, Mrs. Moore? I'm not a reporter. I'm with the L.A. police."
The door came open a few inches and her face was there, backlit and hidden in shadow. Bosch could see the chain lock stretching across the opening. Harry was ready with his badge case already out and opened.
"Yes?"
"Mrs. Moore?"
"Yes?"
"I am Harry Bosch. Um, I'm a detective, LAPD. And
I've been sent out—could I come in? I need . . . to ask you a few questions and inform you of some, uh, developments in—"
"You're late. I've had Channel 4 and 5 and 9 already out here. When you knocked I figured you were somebody else. Two or seven. I can't think who else."
"Can I come in, Mrs. Moore?"
He put his badge wallet away. She closed the door and he heard the chain slide out of its track. The door came open and she signaled him in with her arm. He stepped into an entryway of rust-colored Mexican tile. There was a round mirror on the wall and he saw her in it, closing and locking