Surely some people could read. And why, when she walked through the halls, did she get a sense sometimes, looking into people's faces, of a strange thing she couldn't shake—a hard-driven sort of emptiness? They bowed to her, but she wasn't certain that they truly saw her.
On an upper level in the west castle, she found a barber shop, and beside it, a tiny shop for wig-making. Unaccountably, this delighted her. The next day, she found the children's nursery. The children did not have empty eyes.
On the day after that—nine days, and no news—she returned to the bakery, sat in the corner for a few minutes, and watched the bakers at work.
Anna offered an unsolicited explanation for something Bitterblue had, indeed, been wondering. "I was born with an un-working arm, Lady Queen," she said. "You needn't worry that your father was responsible."
Bitterblue couldn't hide her surprise at being spoken to so candidly. "It's none of my business, but I do thank you for telling me."
"You seem to like the bakery, Lady Queen," said Anna, kneading a mountain of dough as they conversed.
"I hesitate to intrude, Anna," said Bitterblue, "but I should like to try kneading the bread one day."
"Kneading might be just the exercise you need to return your arm to strength once you're out of that cast, Lady Queen. Ask your healer her advice. You're small," she added with a decisive nod. "You may come anytime, work in a corner, and not fear that you'll be in our way."
Bitterblue reached out. When Anna stilled the dough, Bitterblue laid her palm upon it. It was soft, warm, and dry, and her hand came away with a dusting of flour. For the rest of the day, when she brought her fingers to her nose, she could almost smell it.
It helped to touch things and know that they were real. Discovering this made her miss Saf with an ache she carried down every hallway, for once upon a time she had been allowed to touch him too.
ON THE FOURTEENTH day after Runnemood's disappearance, Death came to Bitterblue in her alcove in the library, where she still spent whatever time she could spare on the rewrites and rereads. He dropped a newly rewritten manuscript onto the table from a great height, turned on his heel, and marched away.
Lovejoy, curled up at Bitterblue's elbow, sprang into the air, yowling. Landing, he began immediately to groom himself with enthusiasm, as if some instinct told him to look purposeful and hide the fact that he had no idea what was going on.
"I agree that becoming conscious should not be so traumatic," Bitterblue said to him, attempting to be civil. Lovejoy had recently begun alternating between two personalities, one that hissed at her with a seething hatred whenever he saw her, the other that followed her around morosely and sometimes fell asleep pressed against her. He would not shoo when she told him to, so she'd given up on trying to influence him.
The new manuscript was called Monarchy Is Tyranny.
Bitterblue burst out laughing, which caused Lovejoy to pause in his grooming, peering at her suspiciously, one foot stuck in the air like a roast chicken. "Oh, dear," Bitterblue said. "No wonder Death threw it at me. I'm sure he found it quite satisfying." And then it stopped being funny. Turning in her chair, she looked at the sculpture girl, at her stubborn, defiant face. She thought that perhaps the girl had an understanding of tyranny; that she was changing into rock to protect herself from it. Then Bitterblue looked past her to the woman in the hanging, whose eyes looked back at her, deep and placid, seeming to have an understanding of everything in the world.
I would like to have her as my mother, Bitterblue thought; then almost cried out, stung by her own disloyalty. Mama? Of course I didn't mean it. It's just—she's stuck in a moment of time when everything is simple and clear. Our simple, clear moments were never allowed to last. And how I would like some clarity, some simplicity.
She tried to return her attention to the book she'd been rereading when Death had arrived, the book about the artistic process. She hated this book. It went on for pages and pages to say a thing it could've said in two sentences: The artist is an empty vessel with a spout. Inspiration pours in and art pours out. Bitterblue knew nothing about the process of art; she wasn't an artist, nor were her